Some time in the 1970s, Konstantin Alpheyev, a well-known Russian musicologist, finds himself in trouble with the KGB, the Russian secret police, after the death of his girlfriend, for which one of their officers may have been responsible. He has to flee from the city and to go into hiding. He rents an old house located on the bank of a big Russian river, and lives there like a recluse observing nature and working on his new book about Wagner. The house, a part of an old barge, undergoes strange metamorphoses rebuilding itself as a medieval schooner, and Alpheyev begins to identify himself with the Flying Dutchman. Meanwhile, the police locate his new whereabouts and put him under surveillance. A chain of strange events in the nearby village makes the police officer contact the KGB, and the latter figure out who the new tenant of the old house actually is. 

The two novels included in this book are works of Russian magic realism. In the first novel, Shadowplay on a Sunless Day, Anatoly Kudryavitsky writes about life in modern-day Moscow and about an emigrant’s life in Germany. The novel deals with problems of self-identification, national identity and the crises of the generation of “new Europeans”. In the second novel, A Parade of Mirrors and Reflection, the writer turns his attention to human cloning, an issue very much at the centre of current scientific debate. He looks at the philosophical aspects of creating artificial personalities who lack emotions and experience of everyday human life through a story about secret cloning experiments being carried out in an underground laboratory on the outskirts of Moscow. Most of the clones find themselves in Grodno, Belarus, a city that, due to its geographical location, has always been an important crossroads in Eastern Europe. Each clone is a featureless person looking for their own identity; however, only one of them has a chance to succeed.