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Bondage Brokers
Preface
The pretty young thing, a true masochist, is writhing and crying while tied to the post, screaming: “Beat me. Whip me. Punish me.”
The sadist unwinds his horse whip and gets ready to whip her tight, lovely ass.
“You want to be whipped?” he asks.
“Oh yes, please. Do it now. Please.”
“You want to be punished? To be truly tormented. To suffer?”
“Oh yes. God, yes. Please beat me,” she cries.
“No.”
Who is really in control? Who is the top in this scenario: The one on the post or the one who knows that the real mental torment will come when he walks away, leaving her taunt young body untouched?
The thin line between legal and illegal b**m is often a matter of adult consent and the unfortunate stereotype for bondage literature usually involves victims who do not consent to being tied, gagged, chained and otherwise forced to submit to restraint and punishment. The tops and doms are almost always nasty and disinterested in the subject’s needs or desires. The subs and bottoms are at least initially unwilling, endlessly tormented and usually have a hopeless future.
There are, of course, always exceptions to these premises. This particular tale takes you to a different place: one where the fundamental premise is that everyone, subs and doms, has an erotic good time. They may not like the music, but they all want to dance.
Stereotypical dominant and submissive roles are blurred by modern reality. If the dominant person does what the sub wants, is he or she still dominant? If the sub gets what he or she wants, are they still submissive?
Places like the mountain camp that Frank and Ellen own are well within the possible. But for the owner and customer alike, caveat emptor strictly applies. Once you buy in, you may not be able to buy your way out.