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The Earl Rings A Bell

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“You are a very lucky young woman!” demure but beautiful Donela Colwyn’s stepfather tells her condescendingly and then announces that she is to marry his friend, who he is so impressed with, the wealthy and influential Lord Waltingham.

But Donela feels anything but lucky at the appalling prospect of wedding a man old enough to be her father and who she has only met once.

Desperate to escape she flees by stagecoach, little caring to where it is heading.

And once aboard she meets the exotic Supper Club performers Basil Banks and his Three Belles, who are en route to perform at an aristocratic stag party in one of the country’s most celebrated stately houses.

Ignorant of the world beyond her stepfather’s stables and her Florence Finishing school, Donela knows nothing of the ‘poses plastiques’ in which young women perform all but naked. Or of what coarse men expect of such girls.

So when she agrees to stand in for one of the Belles, who has been taken ill so that she cannot perform, she is appalled by the audience’s behaviour and afraid of the host, the dashing and seemingly overwhelming Earl of Huntingford.

Alone, terrified and penniless, Donela has lost everything she holds dear, but little does she know that she is also about to lose her heart.

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AUTHOR’S NOTE
AUTHOR’S NOTEIn Medieval days tumblers and musicians amused the Nobles in their strongholds. Minstrels going from place to place carried news of victories or defeats between the Clans. In London there were the famous pleasure gardens. At one time there were two hundred around Greater London alone and these, like Vauxhall Gardens, became the favourite pick-up for the mashers, swells and blades of the time. By 1820 there were innumerable taverns like The Coal Hole and Cider Cellars where there were singers, sketches, conjuring acts and a striptease entitled ‘plastic poses’. By 1860 the most important of these was Evans’s Supper Rooms in Covent Garden. As a rule the bills were changed every week and from the Supper Rooms there emerged the Music Halls where there were seats and not tables for eating and drinking. Tights were first introduced in America in 1850 and caused an outcry of horror. People protested about them and they were condemned as immodest and immoral beyond words. The public outcry was loud and prolonged. In fact tights became synonymous with sin. When eventually they came to London, they were used in the ‘poses plastiques’, which had come from the Continent, but the women who portrayed in it were, until they adopted tights, not allowed to move. They were, needless to say, not seen or even talked of by any woman who considered herself a lady.

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