The Secret of Sarek

On the Edge of the Atlantic-1

On the Edge of the AtlanticVéronique's state of mind underwent a sudden alteration. Even as she had fled resolutely from the threat of danger that seemed to loom up before her from the evil past, so she was now determined to pursue to the end the dread road which was opening before her.

This change was due to a tiny gleam which flashed abruptly through the darkness. She suddenly realized the fact, a simple matter enough, that the arrow denoted a direction and that the number 10 must be the tenth of a series of numbers which marked a course leading from one fixed point to another.

Was it a sign set up by one person with the object of guiding the steps of another? It mattered little. The main thing was that there was here a clue capable of leading Véronique to the discovery of the problem which interested her: by what prodigy did the initials of her maiden name reappear amid this tangle of tragic circumstances?

The carriage sent from Le Faouet overtook her. She stepped in and told the driver to go very slowly to Rosporden.

She arrived in time for dinner; and her anticipations had not misled her. Twice she saw her signature, each time before a division in the road, accompanied by the numbers 11 and 12.

Véronique slept at Rosporden and resumed her investigations on the following morning.

The number 12, which she found on the wall of a church–yard, sent her along the road to Concarneau, which she had almost reached before she saw any further inscriptions. She fancied that she must have been mistaken, retraced her steps and wasted a whole day in useless searching.

It was not until the next day that the number 13, very nearly obliterated, directed her towards Fouesnant. Then she abandoned this direction, to follow, still in obedience to the signs, some country–roads in which she once more lost her way.

At last, four days after leaving Le Faouet, she found herself facing the Atlantic, on the great beach of Beg–Meil.

She spent two nights in the village without gathering the least reply to the discreet questions which she put to the inhabitants. At last, one morning, after wandering among the half–buried groups of rocks which intersect the beach and upon the low cliffs, covered with trees and copses, which hem it in, she discovered, between two oaks stripped of their bark, a shelter built of earth and branches which must at one time have been used by custom–house officers. A small menhir stood at the entrance. The menhir bore the inscription, followed by the number 17. No arrow. A full stop underneath; and that was all.

In the shelter were three broken bottles and some empty meat–tins.

"This was the goal," thought Véronique. "Some one has been having a meal here. Food stored in advance, perhaps."

Just then she noticed that, at no great distance, by the edge of a little bay which curved like a shell amid the neighbouring rocks, a boat was swinging to and fro, a motor–boat. And she heard voices coming from the village, a man's voice and a woman's.

From the place where she stood, all that she could see at first was an elderly man carrying in his arms half–a–dozen bags of provisions, potted meats and dried vegetables. He put them on the ground and said:

"Well, had a pleasant journey, M'ame Honorine?"

"Fine!"

"And where have you been?"

"Why, Paris . . . a week of it . . . running errands for my master."

"Glad to be back?"

"Of course I am."

"And you see, M'ame Honorine, you find your boat just where she was. I came to have a look at her every day. This morning I took away her tarpaulin. Does she run as well as ever?"

"First–rate."

"Besides, you're a master pilot, you are. Who'd have thought, M'ame Honorine, that you'd be doing a job like this?"

"It's the war. All the young men in our island are gone and the old ones are fishing. Besides, there's no longer a fortnightly steamboat service, as there used to be. So I go the errands."

"What about petrol?"

"We've plenty to go on with. No fear of that."

"Well, good–bye for the present, M'ame Honorine. Shall I help you put the things on board?"

"Don't you trouble; you're in a hurry."

"Well, good–bye for the present," the old fellow repeated. "Till next time, M'ame Honorine. I'll have the parcels ready for you."

He went away, but, when he had gone a little distance, called out:

"All the same, mind the jagged reefs round that blessed island of yours! I tell you, it's got a nasty name! It's not called Coffin Island, the island of the thirty coffins, for nothing! Good luck to you, M'ame Honorine!"

He disappeared behind a rock.

Véronique had shuddered. The thirty coffins! The very words which she had read in the margin of that horrible drawing!

She leant forward. The woman had come a few steps nearer the boat and, after putting down some more provisions which she had been carrying, turned round.

Véronique now saw her full–face. She wore a Breton costume; and her head–dress was crowned by two black wings.

"Oh," stammered Véronique, "that head–dress in the drawing . . . the head–dress of the three crucified women!"

The Breton woman looked about forty. Her strong face, tanned by the sun and the cold, was bony and rough–hewn but lit up by a pair of large, dark, intelligent, gentle eyes. A heavy gold chain hung down upon her breast. Her velvet bodice fitted her closely.

She was humming in a very low voice as she took up her parcels and loaded the boat, which made her kneel on a big stone against which the boat was moored. When she had done, she looked at the horizon, which was covered with black clouds. She did not seem anxious about them, however, and, loosing the painter, continued her song, but in a louder voice, which enabled Véronique to hear the words. It was a slow melody, a children's lullaby; and she sang it with a smile which revealed a set of fine, white teeth.

"And the mother said,

Rocking her child a–bed:

'Weep not. If you do,

The Virgin Mary weeps with you.

Babes that laugh and sing

Smiles to the Blessed Virgin bring.

Fold your hands this way

And to sweet Mary pray.'"

She did not complete the song. Véronique was standing before her, with her face drawn and very pale.

Taken aback, the other asked:

"What's the matter?"

Véronique, in a trembling voice, replied:

"That song! Who taught it you? Where do you get it from? . . . It's a song my mother used to sing, a song of her own country, Savoy . . . . And I have never heard it since . . . since she died . . . . So I want . . . I should like . . ."

She stopped. The Breton woman looked at her in silence, with an air of stupefaction, as though she too were on the point of asking questions. But Véronique repeated:

"Who taught it you?"

"Some one over there," the woman called Honorine answered, at last.

"Over there?"

"Yes, some one on my island."

Véronique said, with a sort of dread:

"Coffin Island?"

"That's just a name they call it by. It's really the Isle of Sarek."

They still stood looking at each other, with a look in which a certain doubt was mingled with a great need of speech and understanding. And at the same time they both felt that they were not enemies.

Véronique was the first to continue:

"Excuse me, but, you see, there are things which are so puzzling . . ."

The Breton woman nodded her head in approval and Véronique continued:

"So puzzling and so disconcerting! . . . For instance, do you know why I'm here? I must tell you. Perhaps you alone can explain . . . It's like this: an accident—quite a small accident, but really it all began with that—brought me to Brittany for the first time and showed me, on the door of an old, deserted, road–side cabin, the initials which I used to sign when I was a girl, a signature which I have not used for fourteen or fifteen years. As I went on, I discovered the same inscription many times repeated, with each time a different consecutive number. That was how I came here, to the beach at Beg–Meil and to this part of the beach, which appeared to be the end of a journey foreseen and arranged by . . . I don't know whom."

"Is your signature here?" asked Honorine, eagerly. "Where?"

"On that stone, above us, at the entrance to the shelter."

"I can't see from here. What are the letters?"

"V. d'H."

The Breton woman suppressed a movement. Her bony face betrayed profound emotion, and, hardly opening her lips, she murmured:

"Véronique . . . Véronique d'Hergemont."

"Ah," exclaimed the younger woman, "so you know my name, you know my name!"

Honorine took Véronique's two hands and held them in her own. Her weather–beaten face lit up with a smile. And her eyes grew moist with tears as she repeated:

"Mademoiselle Véronique! . . . Madame Véronique! . . . So it's you, Véronique! . . . O Heaven, is it possible! The Blessed Virgin Mary be praised!"

Véronique felt utterly confounded and kept on saying:

"You know my name . . . you know who I am . . . . Then you can explain all this riddle to me?"

After a long pause, Honorine replied:

"I can explain nothing. I don't understand either. But we can try to find out together . . . . Tell me, what was the name of that Breton village?"

"Le Faouet."

"Le Faouet. I know. And where was the deserted cabin?"

"A mile and a quarter away."

"Did you look in?"

"Yes; and that was the most terrible thing of all. Inside the cabin was . . ."

"What was in the cabin?"

"First of all, the dead body of a man, an old man, dressed in the local costume, with long white hair and a grey beard . . . . Oh, I shall never forget that dead man! . . . He must have been murdered, poisoned, I don't know what . . . ."

Honorine listened greedily, but the murder seemed to give her no clue and she merely asked:

"Who was it? Did they have an inquest?"

"When I came back with the people from Le Faouet, the corpse had disappeared."

"Disappeared? But who had removed it?"

"I don't know."

"So that you know nothing?"

"Nothing. Except that, the first time, I found in the cabin a drawing . . . a drawing which I tore up; but its memory haunts me like a nightmare that keeps on recurring. I can't get it out of my mind . . . . Listen, it was a roll of paper on which some one had evidently copied an old picture and it represented . . . Oh, a dreadful, dreadful thing, four women crucified! And one of the women was myself, with my name . . . . And the others wore a head–dress like yours."

Honorine had squeezed her hands with incredible violence:

"What's that you say?" she cried. "What's that you say? Four women crucified?"

"Yes; and there was something about thirty coffins, consequently about your island."

The Breton woman put her hands over Véronique's lips to silence them:

"Hush! Hush! Oh, you mustn't speak of all that! No, no, you mustn't . . . . You see, there are devilish things . . . which it's a sacrilege to talk about . . . . We must be silent about that . . . . Later on, we'll see . . . another year, perhaps . . . . Later on . . . . Later on . . . ."

She seemed shaken by terror, as by a gale which scourges the trees and overwhelms all living things. And suddenly she fell on her knees upon the rock and muttered a long prayer, bent in two, with her hands before her face, so completely absorbed that Véronique asked her no more questions.

At last she rose and, presently, said:

"Yes, this is all terrifying, but I don't see that it makes our duty any different or that we can hesitate at all."

And, addressing Véronique, she said, gravely:

"You must come over there with me."

"Over there, to your island?" replied Véronique, without concealing her reluctance.