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Ray Cummings: Golden Age Space Opera Tales

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Ray Cummings (born Raymond King Cummings) (August 30, 1887 – January 23, 1957) was an American author of science fiction literature and comic books. Cummings was born in New York City in 1887. He worked with Thomas Edison as a personal assistant and technical writer from 1914 to 1919.

Cummings is identified as one of the "founding fathers" of the science fiction genre. During the 1920's and 1930's, he thrilled millions of readers with his vivid tales of space and time.

Following the lead of Jules Verne and H. G. Wells, Cummings successfully bridged the gap between the early dawning of science-fiction in the last decades of the Nineteenth Century and the full flowering of the field in these middle decades of the Twentieth.

Space Opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology.

The term has no relation to music, as in a traditional opera, but is instead a play on the terms "soap opera", a melodramatic television series, and "horse opera", which was coined during the 1930s to indicate a formulaic Western movie. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, and video games.

The Golden Age of Pulp Magazine Fiction derives from pulp magazines (often referred to as "the pulps") as they were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". (Wikipedia)

The pulps gave rise to the term pulp fiction. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many writers wrote for pulps, the magazines were proving grounds for those authors like Robert Heinlein, Louis LaMour, "Max Brand", Ray Bradbury, Philip K. d**k, and many others. The best writers moved onto longer fiction required by paperback publishers. Many of these authors have never been out of print, even long after their passing.  

Anthology containing:

Gods of Space

The Star-Master

Monster of the Asteroid

The Flame Breathers

Juggernaut of Space

The War-Nymphs of Venus

Beyond the Vanishing Point

Wandl the Invader

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GODS OF SPACE-1
GODS OF SPACE Planetoid-150 was a world of horror. A star of death, ruled by a weird and beautiful Earthian goddess. - - - - * * * * THE WEIRD PURPLE GLOW of the planetoid was apparent now, even to the naked eye. The end of Roy Atwood’s long, lonely journey was at hand. In the narrow control-turret of his small spaceship he sat gazing. Planetoid-150, in the belt out here, far beyond Mars, was a great leaden disc now occupying nearly a quarter of the firmament. And the purple glow of the Xarite was puzzling. On Earth, young Atwood’s father had located the treasured substance with a giant electro-spectroscope; seen it after patient search as a tiny tracery, a faint band upon the prismatic ‘graph of the light from this distant world. And now Atwood was here, seeking it. Long since he had discarded his spectroscope, here in the spaceship turret. It had been his compass, the identification of Planetoid-150, enabling him to chart his course. It was unnecessary now. He stared, puzzled. Surely there must be an immense amount of the electroidally active Xarite—the name his father had given it—here on this little world. And all concentrated almost in one spot, apparently. The weird purple sheen was intense; a patch down there on the putty-colored surface of the five-hundred-mile-diameter asteroid. Occasionally he could see it clearly. Then at other times the leaden, sullen, low-hanging cloud masses of the unknown little world wholly obscured it. - - - - * * * * WITH HIS JOURNEY’S end so near, Atwood’s heart was pounding. But a grimness was on him. He was a young fellow; just twenty-four this Earth-summer of 2050, a handsome young giant whose hundred and ninety pounds were stretched over a powerful, yet almost lanky, frame. In the Government College of New York, he had been a champion athlete. What would he be here? Actually, Atwood cared very little what strange form of life might exist here on Planetoid-150. His was not a trip of scientific exploration. Now that the beginning of Interplanetary travel was at hand, he was willing to leave all that sort of thing to the professional scientists. His was a secret adventure, and so he had of necessity come alone. His purpose was to land on this unknown little world, and get a small quantity of the treasured Xarite. With that safely stored in the foot-long, insulated cylinder which now was ready to strap on his back, he would leave and get back to Earth as speedily as possible. It had been a long journey. Atwood contemplated it now as the round disc of the asteroid enlarged until it was beneath him, stretching all across the lower firmament; and he set his anti-gravity plates to resist his fall and verified that the repellent rocket-streams of electroidal gases were ready for the final atmospheric descent. By his calculation he would emerge from the clouds fairly close to the Xarite purple glow. It would be early evening here. He recalled the details of Planetoid-150 which had been in the letter to him from his dead father. Meager details indeed. Dr. Paul Atwood had calculated the asteroid at between five and six hundred miles in diameter. Then the clouds broke away. Atwood’s heart was pounding as he stared down for his first real sight of the unknown world. At first it was a blur of deep purple radiance. It seemed to blind him, this weird glow to which his eyes were unaccustomed. But presently he could see better. - - - -

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