Act Fifth

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Subscribe for ad free access & additional features for teachers. Authors: 267, Books: 3,607, Poems & Short Stories: 4,435, Forum Members: 71,154, Forum Posts: 1,238,602, Quizzes: 344 SCENE I ELBA. THE QUAY, PORTO FERRAJO [Night descends upon a beautiful blue cove, enclosed on three sides by mountains. The port lies towards the western (right-hand) horn of the concave, behind it being the buildings of the town; their long white walls and rows of windows rise tier above tier on the steep incline at the back, and are intersected by narrow alleys and flights of steps that lead up to forts on the summit. Upon a rock between two of these forts stands the Palace of the Mulini, NAPOLEONS'S residence in Ferrajo. Its windows command the whole town and the port.] CHORUS OF IRONIC SPIRITS (aerial music) The Congress of Vienna sits, And war becomes a war of wits, Where every Power perpends withal Its dues as large, its friends' as small; Till Priests of Peace prepare once more To fight as they have fought before! In Paris there is discontent; Medals are wrought that represent One now unnamed. Men whisper, "He Who once has been, again will be!" DUMB SHOW Under cover of the dusk there assembles in the bay a small flotilla comprising a brig called _l'Inconstant_ and several lesser vessels. SPIRIT OF RUMOUR The guardian on behalf of the Allies Absents himself from Elba. Slow surmise Too vague to pen, too actual to ignore, Have strained him hour by hour, and more and more. He takes the sea to Florence, to declare His doubts to Austria's ministrator there. SPIRIT IRONIC When he returns, Napoleon will be--where? Boats put off from these ships to the quay, where are now discovered to have silently gathered a body of grenadiers of the Old Guard. The faces of DROUOT and CAMBRONNE are revealed by the occasional fleck of a lantern to be in command of them. They are quietly taken aboard the brig, and a number of men of different arms to the other vessels. CHORUS OF RUMOURS (aerial music) Napoleon is going, And nought will prevent him; He snatches the moment Occasion has lent him! And what is he going for, Worn with war's labours? --To reconquer Europe With seven hundred sabres. About eight o'clock we observe that the windows of the Palace of the Mulini are lighted and open, and that two women sit at them: the EMPEROR'S mother and the PRINCESS PAULINE. They wave adieux to some one below, and in a short time a little open low-wheeled carriage, drawn by the PRINCESS PAULINE'S two ponies, descends from the house to the port. The crowd exclaims "The Emperor!" NAPOLEON appears in his grey great-coat, and is much fatter than when he left France. BERTRAND sits beside him. He quickly alights and enters the waiting boat. It is a tense moment. As the boat rows off the sailors sing the Marseillaise, and the gathered inhabitants join in. When the boat reaches the brig its sailors join in also, and shout "Paris or death!" Yet the singing has a melancholy cadence. A gun fires as a signal of departure. The night is warm and balmy for the season. Not a breeze is there to stir a sail, and the ships are motionless. CHORUS OF RUMOURS Haste is salvation; And still he stays waiting: The calm plays the tyrant, His venture belating! Should the corvette return With the anxious Scotch colonel, Escape would be frustrate, Retention eternal. Four aching hours are spent thus. NAPOLEON remains silent on the deck, looking at the town lights, whose reflections bore like augers into the water of the bay. The sails hang flaccidly. Then a feeble breeze, then a strong south wind, begins to belly the sails; and the vessels move. CHORUS OF RUMOURS The south wind, the south wind, The south wind will save him, Embaying the frigate Whose speed would enslave him; Restoring the Empire That fortune once gave him! The moon rises and the ships silently disappear over the horizon as it mounts higher into the sky. SCENE II VIENNA. THE IMPERIAL PALACE [The fore-part of the scene is the interior of a dimly lit gallery with an openwork screen or grille on one side of it that commands a bird's-eye view of the grand saloon below. At present the screen is curtained. Sounds of music and applause in the saloon ascend into the gallery, and an irradiation from the same quarter shines up through c****s in the curtains of the grille. Enter the gallery MARIE LOUISE and the COUNTESS OF BRIGNOLE, followed by the COUNT NEIPPERG, a handsome man of forty two with a bandage over one eye.] COUNTESS OF BRIGNOLE Listen, your Majesty. You gather all As well as if you moved amid them there, And are advantaged with free scope to flit The moment the scene palls. MARIE LOUISE Ah, my dear friend, To put it so is flower-sweet of you; But a fallen Empress, doomed to furtive peeps At scenes her open presence would unhinge, Reads not much interest in them! Yet, in truth, 'Twas gracious of my father to arrange This glimpse-hole for my curiosity. --But I must write a letter ere I look; You can amuse yourself with watching them.-- Count, bring me pen and paper. I am told Madame de Montesquiou has been distressed By some alarm; I write to ask its shape. [NEIPPERG spreads writing materials on a table, and MARIE LOUISE sits. While she writes he stays near her. MADAME DE BRIGNOLE goes to the screen and parts the curtains. The light of a thousand candles blazes up into her eyes from below. The great hall is decorated in white and silver, enriched by evergreens and flowers. At the end a stage is arranged, and Tableaux Vivants are in progress thereon, representing the history of the House of Austria, in which figure the most charming women of the Court. There are present as spectators nearly all the notables who have assembled for the Congress, including the EMPEROR OF AUSTRIA himself, has gay wife, who quite eclipses him, the EMPEROR ALEXANDER, the KING OF PRUSSIA--still in the mourning he has never abandoned since the death of QUEEN LUISA,--the KING OF BAVARIA and his son, METTERNICH, TALLEYRAND, WELLINGTON, NESSELRODE, HARDENBERG; and minor princes, ministers, and officials of all nations.] COUNTESS OF BRIGNOLE (suddenly from he grille) Something has happened--so it seems, madame! The Tableau gains no heed from them, and all Turn murmuring together. MARIE LOUISE What may be? [She rises with languid curiosity, and COUNT NEIPPERG adroitly takes her hand and leads her forward. All three look down through the grille.] NEIPPERG some strange news, certainly, your Majesty, Is being discussed.--I'll run down and inquire. MARIE LOUISE (playfully) Nay--stay here. We shall learn soon enough. NEIPPERG Look at their faces now. Count Metternich Stares at Prince Talleyrand--no muscle moving. The King of Prussia blinks bewilderedly Upon Lord Wellington. MARIE LOUISE (concerned) Yes; so it seems. . . . They are thunderstruck. See, though the music beats, The ladies of the Tableau leave their place, And mingle with the rest, and quite forget That they are in masquerade. The sovereigns show By far the gravest mien. . . . I wonder, now, If it has aught to do with me or mine? Disasters mostly have to do with me! COUNTESS OF BRIGNOLE Those rude diplomists from England there, At your Imperial father's consternation, And Russia's, and the King of Prussia's gloom, Shake shoulders with hid laughter! That they call The English sense of humour, I infer,-- To see a jest in other people's troubles! MARIE LOUISE (hiding her presages) They ever take things thus phlegmatically: The safe sea minimizes Continental scare In their regard. I wish it did in mine! But Wellington laughs not, as I discern. NEIPPERG Perhaps, though fun for the other English here, It means new work for him. Ah--notice now The music makes no more pretence to play! Sovereigns and ministers have moved apart, And talk, and leave the ladies quite aloof-- Even the Grand Duchesses and Empress, all-- Such mighty cogitations trance their minds! MARIE LOUISE (with more anxiety) Poor ladies; yea, they draw into the rear, And whisper ominous words among themselves! Count Neipperg--I must ask you now--go glean What evil lowers. I am riddled through With strange surmises and more strange alarms! [The COUNTESS OF MONTESQUIOU enters.] Ah--we shall learn it now. Well--what, madame? COUNTESS OF MONTESQUIOU (breathlessly) Your Majesty, the Emperor Napoleon Has vanished from Elba! Wither flown, And how, and why, nobody says or knows. MARIE LOUISE (sinking into a chair) My divination pencilled on my brain Something not unlike that! The rigid mien That mastered Wellington suggested it. . . . Complicity will be ascribed to me, Unwitting though I stand! . . . (A pause.) He'll not succeed! And my fair plans for Parma will be marred, And my son's future fouled!--I must go hence, And instantly declare to Metternich That I know nought of this; and in his hands Place me unquestioningly, with dumb assent To serve the Allies. . . . Methinks that I was born Under an evil-coloured star, whose ray Darts death at joys!--Take me away, Count.--You (to the ladies) Can stay and see the end. [Exeunt MARIE LOUISE and NEIPPERG. MESDAMES DE MONTESQUIOU and DE BRIGNOLE go to the grille and watch and listen.] VOICE OF ALEXANDER (below) I told you, Prince, that it would never last! VOICE OF TALLEYRAND Well, sire, you should have sent him to the Azores, Or the Antilles, or best, Saint-Helena. VOICE OF THE KING OF PRUSSIA Instead, we send him but two days from France, Give him an island as his own domain, A military guard of large resource, And millions for his purse! ANOTHER VOICE The immediate cause Must be a negligence in watching him. The British Colonel Campbell should have seen That apertures for flight were wired and barred To such a cunning bird! ANOTHER VOICE By all report He took the course direct to Naples Bay. VOICES (of new arrivals) He has made his way to France--so all tongues tell-- And landed there, at Cannes! (Excitement.) COUNTESS OF BRIGNOLE Do now but note How cordial intercourse resolves itself To sparks of sharp debate! The lesser guests Are fain to steal unnoticed from a scene Wherein they feel themselves as surplusage Beside the official minds.--I catch a sign The King of Prussia makes the English Duke; They leave the room together. COUNTESS OF MONTESQUIOU Yes; wit wanes, And all are going--Prince Talleyrand, The Emperor Alexander, Metternich, The Emperor Francis. . . . So much for the Congress! Only a few blank nobodies remain, And they seem terror-stricken. . . . Blackly ends Such fair festivities. The red god War Stalks Europe's plains anew! [The curtain of the grille is dropped. MESDAMES DE MONTESQUIOU and DE BRIGNOLE leave the gallery. The light is extinguished there and the scene disappears.] SCENE III LA MURE, NEAR GRENOBLE [A lonely road between a lake and some hills, two or three miles outside the village of la Mure, is discovered. A battalion of the Fifth French royalist regiment of the line under COMMANDANT LESSARD, is drawn up in the middle of the road with a company of sappers and miners, comprising altogether about eight hundred men. Enter to them from the south a small detachment of lancers with an aide-de-camp at their head. They ride up to within speaking distance.] LESSARD They are from Bonaparte. Present your arms! AIDE (calling) We'd parley on Napoleon's behalf, And fain would ask you join him. LESSARD Al parole With rebel bands the Government forbids. Come five steps further and we fire! AIDE To France, And to posterity through fineless time, Must you then answer for so foul a blow Against the common weal! [NAPOLEON'S aide-de-camp and the lancers turn about and ride back out of sight. The royalist troops wait. Presently there reappears from the same direction a small column of soldiery, representing the whole of NAPOLEON'S little army shipped from Elba. It is divided into an advance-guard under COLONEL MALLET, and two bodies behind, a troop of Polish lancers under COLONEL JERMANWSKI on the right side of the road, and some officers without troops on the left, under MAJOR PACCONI. NAPOLEON rides in the midst of the advance-guard, in the old familiar "redingote grise," c****d hat, and tricolor cockade, his well-known profile keen against the hills. He is attended by GENERALS BERTRAND, DROUOT, and CAMBRONNE. When they get within gun-shot of the royalists the men are halted. NAPOLEON dismounts and steps forward.] NAPOLEON Direct the men To lodge their weapons underneath the arm, Points downward. I shall not require them here. COLONEL MALLET Sire, is it not a needless jeopardy To meet them thus? The sentiments of these We do not know, and the first trigger pressed May end you. NAPOLEON I have thought it out, my friend, And value not my life as in itself, But as to France, severed from whose embrace] I am dead already. [He repeats the order, which is carried out. There is a breathless silence, and people from the village gather round with tragic expectations. NAPOLEON walks on alone towards the Fifth battalion, Throwing open his great-coat and revealing his uniform and the ribbon of the Legion of Honour. Raising his hand to his hat he salutes.] LESSARD Present arms! [The firelocks of the royalist battalion are levelled at NAPOLEON.] NAPOLEON (still advancing) Men of the Fifth, See--here I am! . . . Old friends, do you not know me? If there be one among you who would slay His Chief of proud past years, let him come on And do it now! (A pause.) LESSARD (to his next officer) They are death-white at his words! They'll fire not on this man. And I am helpless. SOLDIERS (suddenly) Why yes! We know you, father. Glad to see ye! The Emperor for ever! Ha! Huzza! [They throw their arms upon the ground, and, rushing forward, sink down and seize NAPOLEON'S knees and kiss his hands. Those who cannot get near him wave their shakos and acclaim him passionately. BERTRAND, DROUOT, and CAMBRONNE come up.] NAPOLEON (privately) All is accomplished, Bertrand! Ten days more, And we are snug within the Tuileries. [The soldiers tear out their white cockades and trample on them, and disinter from the bottom of their knapsacks tricolors, which they set up. NAPOLEON'S own men now arrive, and fraternize with and embrace the soldiers of the Fifth. When the emotion has subsided, NAPOLEON forms the whole body into a square and addresses them.] Soldiers, I came with these few faithful ones To save you from the Bourbons,--treasons, tricks, Ancient abuses, feudal tyranny-- From which I once of old delivered you. The Bourbon throne is illegitimate Because not founded on the nation's will, But propped up for the profit of a few. Comrades, is this not so? A GRENADIER Yes, verily, sire. You are the Angel of the Lord to us; We'll march with you to death or victory! (Shouts.) [At this moment a howling dog crosses in front of them with a cockade tied to its tail. The soldiery of both sides laugh loudly. NAPOLEON forms both bodies of troops into one column. Peasantry run up with buckets of sour wine and a single glass; NAPOLEON takes his turn with the rank and file in drinking from it. He bids the whole column follow him to Grenoble and Paris. Exeunt soldiers headed by NAPOLEON. The scene shuts.] SCENE IV SCHONBRUNN [The gardens of the Palace. Fountains and statuary are seen around, and the Gloriette colonnade rising against the sky on a hill behind. The ex-EMPRESS MARIE LOUISE is discovered walking up and down. Accompanying her is the KING OF ROME--now a blue-eye, fair-haired child--in the charge of the COUNTESS OF MONTESQUIOU. Close by is COUNT NEIPPERG, and at a little distance MENEVAL, her attendant and Napoleon's adherent. The EMPEROR FRANCIS and METTERNICH enter at the other end of the parterre.] MARIE LOUISE (with a start) Here are the Emperor and Prince Metternich. Wrote you as I directed? NEIPPERG Promptly so. I said your Majesty had not part In this mad move of your Imperial spouse, And made yourself a ward of the Allies; Adding, that you had vowed irrevocably To enter France no more. MARIE LOUISE Your worthy zeal Has been a trifle swift. My meaning stretched Not quite so far as that. . . . And yet--and yet It matters little. Nothing matters much! [The EMPEROR and METTERNICH come forward. NEIPPERG retires.] FRANCIS My daughter, you did not a whit too soon Voice your repudiation. Have you seen What the allies have papered Europe with? MARIE LOUISE I have seen nothing. FRANCIS Please you read it, Prince. METTERNICH (taking out a paper) "The Powers assembled at the Congress here Owe it to their own troths and dignities, And to the furtherance of social order, To make a solemn Declaration, thus: By breaking the convention as to Elba, Napoleon Bonaparte forthwith destroys His only legal title to exist, And as a consequence has hurled himself Beyond the pale of civil intercourse. Disturber of the tranquillity of the world, There can be neither peace nor truce with him, And public vengeance is his self-sought doom.-- Signed by the Plenipotentiaries." MARIE LOUISE (pale) O God, How terrible! . . . What shall---(she begins weeping.) KING OF ROME Is it papa They want to hurt like that, dear Mamma 'Quiou? Then 'twas no good my praying for him so; And I can see that I am not going to be A King much longer! COUNTESS OF MONTESQUIOU (retiring with the child) Pray for him, Monseigneur, Morning and evening just the same! They plan To take you off from me. But don't forget-- Do as I say! KING OF ROME Yes, Mamma 'Quiou, I will!-- But why have I no pages now? And why Does my mamma the Empress weep so much? COUNTESS OF MONTESQUIOU We'll talk elsewhere. [MONTESQUIOU and the KING OF ROME withdraw to back.] FRANCIS At least, then, you agree Not to attempt to follow Paris-ward Your conscience-lacking husband, and create More troubles in the State?--Remember this, I sacrifice my every man and horse Ere he Rule France again. MARIE LOUISE I am pledged already To hold by the Allies; let that suffice! METTERNICH For the clear good of all, your Majesty, And for your safety and the King of Rome's, It most befits that your Imperial father Should have sole charge of the young king henceforth, While these convulsions rage. That this is so You will see, I think, in view of being installed As Parma's Duchess, and take steps therefor. MARIE LOUISE (coldly) I understand the terms to be as follows: Parma is mine--my very own possession,-- And as a counterquit, the guardianship Is ceded to my father of my son, And I keep out of France. METTERNICH And likewise this: All missives that your Majesty receives Under Napoleon's hand, you tender straight The Austrian Cabinet, the seals unbroke; With those received already. FRANCIS You discern How vastly to the welfare of your son This course must tend? Duchess of Parma throned You shine a wealthy woman, to endow Your son with fortune and large landed fee. MARIE LOUISE (bitterly) I must have Parma: and those being the terms Perforce accept! I weary of the strain Of statecraft and political embroil: I long for private quiet! . . . And now wish To say no more at all. [MENEVAL, who has heard her latter remarks, turns sadly away.] FRANCIS There's nought to say; All is in train to work straightforwardly. [FRANCIS and METTERNICH depart. MARIE LOUISE retires towards the child and the COUNTESS OF MONTESQUIOU at the back of the parterre, where they are joined by NEIPPERG. Enter in front DE MONTROND, a secret emissary of NAPOLEON, disguised as a florist examining the gardens. MENEVAL recognizes him and comes forward.] MENEVAL Why are you here, de Montrond? All is hopeless! DE MONTROND Wherefore? The offer of the Regency I come empowered to make, and will conduct her Safely to Strassburg with her little son, If she shrink not to breech her as a man, And tiptoe from a postern unperceived? MENEVAL Though such quaint gear would mould her to a youth Fair as Adonis on a hunting morn, Yet she'll refuse! A German prudery Sits on her still; more, kneaded by her arts There's no will left to her. I conjured her To hold aloof, sign nothing. But in vain. DE MONTROND (looking towards Marie Louise) I fain would put it to her privately! MENEVAL A thing impossible. No word to her Without a word to him you see with her, Neipperg to wit. She grows indifferent To dreams as Regent; visioning a future Wherein her son and self are two of three But where the third is not Napoleon. DE MONTROND (In sad surprise) I may as well go hence then as I came, And kneel to Heaven for one thing--that success Attend Napoleon in the coming throes! MENEVAL I'll walk with you for safety to the gate, Though I am as the Emperor's man suspect, And any day may be dismissed. If so I go to Paris. [Exeunt MENEVAL and DE MONTROND.] SPIRIT IRONIC Had he but persevered, and biassed her To slip the breeches on, and hie away, Who knows but that the map of France had shaped And it will never now! [There enters from the other side of the gardens MARIA CAROLINA, ex-Queen of Naples, and grandmother of Marie Louise. The latter, dismissing MONTESQUIOU and the child, comes forward.] MARIA CAROLINA I have crossed from Hetzendorf to kill an hour; Why art so pensive, dear? MARIE LOUISE Ah, why! My lines Rule ruggedly. You doubtless have perused This vicious cry against the Emperor? He's outlawed--to be caught alive or dead, Like any noisome beast! MARIA CAROLINA Nought have I heard, My child. But these vile tricks, to pluck you from Your nuptial plightage and your rightful glory Make me belch oaths!--You shall not join your husband Do they assert? My God, I know one thing, Outlawed or no, I'd knot my sheets forthwith, Were I but you, and steal to him in disguise, Let come what would come! Marriage is for life. MARIE LOUISE Mostly; not always: not with Josephine; And, maybe, not with me. But, that apart, I could do nothing so outrageous. Too many things, dear grand-dame, you forget. A puppet I, by force inflexible, Was bid to wed Napoleon at a nod,-- The man acclaimed to me from cradle-days As the incarnate of all evil things, The Antichrist himself.--I kissed the cup, Gulped down the inevitable, and married him; But none the less I saw myself therein The lamb whose innocent flesh was dressed to grace The altar of dynastic ritual!-- Hence Elba flung no duty-call to me, Neither does Paris now. MARIA CAROLINA I do perceive They have worked on you to much effect already! Go, join your Count; he waits you, dear.--Well, well; The way the wind blows needs no c**k to tell! [Exeunt severally QUEEN MARIA CAROLINA and MARIE LOUISE with NEIPPERG. The sun sets over the gardens and the scene fades.] SCENE V LONDON. THE OLD HOUSE OF COMMONS [The interior of the Chamber appears as in Scene III., Act I., Part I., except that the windows are not open and the trees without are not yet green. Among the Members discovered in their places are, of ministers and their supporters, LORD CASTLEREAGH the Foreign Secretary, VANSITTART Chancellor of the Exchequer, BATHURST, PALMERSTON the War Secretary, ROSE, PONSONBY, ARBUTHNOT, LUSHINGTON, GARROW the Attorney General, SHEPHERD, LONG, PLUNKETT, BANKES; and among those of the Opposition SIR FRANCIS BURDETT, WHITBREAD, TIERNEY, ABERCROMBY, DUNDAS, BRAND, DUNCANNON, LAMBTON, HEATHCOTE, SIR SAMUEL ROMILLY, G. WALPOLE, RIDLEY, OSBORNE, and HORNER. Much interest in the debate is apparent, and the galleries are full. LORD CASTLEREAGH rises.] CASTLEREAGH At never a moment in my stressed career, Amid no memory-moving urgencies, Have I, sir, felt so gravely set on me The sudden, vast responsibility That I feel now. Few things conceivable Could more momentous to the future be Than what may spring from counsel here to-night On means to meet the plot unparalleled In full fierce play elsewhere. Sir, this being so, And seeing how the events of these last days Menace the toil of twenty anxious years, And peril all that period's patient aim, No auguring mind can doubt that deeds which root In steadiest purpose only, will effect Deliverance from a world-calamity As dark as any in the vaults of Time. Now, what we notice front and foremost is That this convulsion speaks not, pictures not The heart of France. It comes of artifice-- From the unique and sinister influence Of a smart army-gamester--upon men Who have shared his own excitements, spoils, and crimes.-- This man, who calls himself most impiously The Emperor of France by Grace of God, Has, in the scale of human character, Dropt down so low, that he has set at nought All pledges, stipulations, guarantees, And stepped upon the only pedestal On which he cares to stand--his lawless will. Indeed, it is a fact scarce credible That so mysteriously in his own breast Did this adventurer lock the scheme he planned, That his companion Bertrand, chief in trust, Was unapprised thereof until the hour In which the order to embark was given! I think the House will readily discern That the wise, wary trackway to be trod By our own country in the crisis reached, Must lie 'twixt two alternatives,--of war In concert with the Continental Powers, Or of an armed and cautionary course Sufficing for the present phase of things. Whatever differences of view prevail On the so serious and impending question-- Whether in point of prudent reckoning 'Twere better let the power set up exist, Or promptly at the outset deal with it-- Still, to all eyes it is imperative That some mode of safeguardance be devised; And if I cannot range before the House, At this stage, all the reachings of the case, I will, if needful, on some future day Poise these nice matters on their merits here. Meanwhile I have to move: That an address unto His Royal Highness Be humbly offered for his gracious message, And to assure him that his faithful Commons Are fully roused to the dark hazardries To which the life and equanimity Of Europe are exposed by deeds in France, In contravention of the plighted pacts At Paris in the course of yester-year. That, in a cause of such wide-waked concern, It doth afford us real relief to know That concert with His Majesty's Allies Is being effected with no loss of time-- Such concert as will thoroughly provide For Europe's full and long security. (Cheers.) That we, with zeal, will speed such help to him So to augment his force by sea and land As shall empower him to set afoot Swift measures meet for its accomplishing. (Cheers.) BURDETT It seems to me almost impossible, Weighing the language of the noble lord, To catch its counsel,--whether peace of war. (Hear, hear.) If I translate his words to signify The high expediency of watch and ward, That we may not be taken unawares, I own concurrence; but if he propose Too plunge this realm into a sea of blood To reinstate the Bourbon line in France, I should but poorly do my duty here Did I not lift my voice protestingly Against so ruinous an enterprise! Sir, I am old enough to call to mind The first fierce frenzies for the selfsame end, The fruit of which was to endow this man, The object of your apprehension now, With such a might as could not be withstood By all of banded Europe, till he roamed And wrecked it wantonly on Russian plains. Shall, then, another score of scourging years Distract this land to make a Bourbon king? Wrongly has Bonaparte's late course been called A rude incursion on the soil of France.-- Who ever knew a sole and single man Invade a nation thirty million strong, And gain in some few days full sovereignty Against the nation's will!--The truth is this: The nation longed for him, and has obtained him. . . . I have beheld the agonies of war Through many a weary season; seen enough To make me hold that scarcely any goal Is worth the reaching by so red a road. No man can doubt that this Napoleon stands As Emperor of France by Frenchmen's wills. Let the French settle, then, their own affairs; I say we shall have nought to apprehend!-- Much as I might advance in proof of this, I'll dwell not thereon now. I am satisfied To give the general reasons which, in brief, Balk my concurrence in the Address proposed. (Cheers.) PONSONBY My words will be but few, for the Address Constrains me to support it as it stands. So far from being the primary step to war, Its sense and substance is, in my regard, To leave the House to guidance by events On the grave question of hostilities. The statements of the noble lord, I hold, Have not been candidly interpreted By grafting on to them a headstrong will, As does the honourable baronet, To rob the French of Buonaparte's rule, And force them back to Bourbon monarchism. That our free land, at this abnormal time, Should put her in a pose of wariness, No unwarped mind can doubt. Must war revive, Let it be quickly waged; and quickly, too, Reach its effective end: though 'tis my hope, My ardent hope, that peace may be preserved. WHITBREAD Were it that I could think, as does my friend, That ambiguity of sentiment Informed the utterance of the noble lord (As oft does ambiguity of word), I might with satisfied and sure resolve Vote straight for the Address. But eyeing well The flimsy web there woven to entrap The credence of my honourable friends, I must with all my energy contest The wisdom of a new and hot crusade For fixing who shall fill the throne of France. Already are the seeds of mischief sown: The Declaration at Vienna, signed Against Napoleon, is, in my regard, Abhorrent, and our country's character Defaced by our subscription to its terms! If words have any meaning it incites To sheer assassination; it proclaims That any meeting Bonaparte may slay him; And, whatso language the Allies now hold, In that outburst, at least, was war declared. The noble lord to-night would second it, Would seem to urge that we full arm, then wait For just as long, no longer, than would serve The preparations of the other Powers, And then--pounce down on France! CASTLEREAGH No, no! Not so. WHITBREAD Good God, then, what are we to understand?-- However, this denial is a gain, And my misapprehension owes its birth Entirely to that mystery of phrase Which taints all rhetoric of the noble lord, Well, what is urged for new aggression now, To vamp up and replace the Bourbon line? The wittiest man who ever sat here(21) said That half our nation's debt had been incurred In efforts to suppress the Bourbon power, The other half in efforts to restore it, (laughter) And I must deprecate a further plunge For ends so futile! Why, since Ministers Craved peace with Bonaparte at Chatillon, Should they refuse him peace and quiet now? This brief amendment therefore I submit To limit Ministers' aggressiveness And make self-safety all their chartering: "We at the same time earnestly implore That the Prince Regent graciously induce Strenuous endeavours in the cause of peace, So long as it be done consistently With the due honour of the English crown." (Cheers.) CASTLEREAGH The arguments of Members opposite Posit conditions which experience proves But figments of a dream;--that honesty, Truth, and good faith in this same Bonaparte May be assumed and can be acted on: This of one who is loud to violate Bonds the most sacred, treaties the most grave! . . . It follows not that since this realm was won To treat with Bonaparte at Chatillon, It can treat now. And as for assassination, The sentiments outspoken here to-night Are much more like to urge to desperate deeds Against the persons of our good Allies, Than are, against Napoleon, statements signed By the Vienna plenipotentiaries! We are, in fine, too fully warranted On moral grounds to strike at Bonaparte, If we at any crisis reckon it Expedient so to do. The Government Will act throughout in concert with the Allies, And Ministers are well within their rights To claim that their responsibility Be not disturbed by hackneyed forms of speech ("Oh, oh") Upon war's horrors, and the bliss of peace,-- Which none denies! (Cheers.) PONSONBY I ask the noble lord, If that his meaning and pronouncement be Immediate war? CASTLEREAGH I have not phrased it so. OPPOSITION CRIES The question is unanswered! [There are excited calls, and the House divides. The result is announced as thirty-seven for WHITBREAD'S amendment, and against it two hundred and twenty. The clock strikes twelve as the House adjourns.] SCENE VI WESSEX. DURNOVER GREEN, CASTERBRIDGE [On a patch of green grass on Durnover Hill, in the purlieus of Casterbridge, a rough gallows has been erected, and an effigy of Napoleon hung upon it. Under the effigy are faggots of brushwood. It is the dusk of a spring evening, and a great crowd has gathered, comprising male and female inhabitants of the Durnover suburb and villagers from distances of many miles. Also are present some of the county yeomanry in white leather breeches and scarlet, volunteers in scarlet with green facings, and the REVEREND MR. PALMER, vicar of the parish, leaning against the post of his garden door, and smoking a clay pipe of preternatural length. Also PRIVATE CANTLE from Egdon Heath, and SOLOMON LONGWAYS of Casterbridge. The Durnover band, which includes a clarionet, {serpent,} oboe, tambourine, cymbals, and drum, is playing "Lord Wellington's Hornpipe."] RUSTIC (wiping his face) Says I, please God I'll lose a quarter to zee he burned! And I left Stourcastle at dree o'clock to a minute. And if I'd known that I should be too late to zee the beginning on't, I'd have lost a half to be a bit sooner. YEOMAN Oh, you be soon enough good-now. He's just going to be lighted. RUSTIC But shall I zee en die? I wanted to zee if he'd die hard, YEOMAN Why, you don't suppose that Boney himself is to be burned here? RUSTIC What--not Boney that's to be burned? A WOMAN Why, bless the poor man, no! This is only a mommet they've made of him, that's got neither chine nor chitlings. His innerds be only a lock of straw from Bridle's barton. LONGWAYS He's made, neighbour, of a' old cast jacket and breeches from our barracks here. Likeways Grammer Pawle gave us Cap'n Meggs's old Zunday shirt that she'd saved for tinder-box linnit; and Keeper Tricksey of Mellstock emptied his powder-horn into a barm-bladder, to make his heart wi'. RUSTIC (vehemently) Then there's no honesty left in Wessex folk nowadays at all! "Boney's going to be burned on Durnover Green to-night,"-- that was what I thought, to be sure I did, that he'd been catched sailing from his islant and landed at Budmouth and brought to Casterbridge Jail, the natural retreat of malefactors!--False deceivers--making me lose a quarter who can ill afford it; and all for nothing! LONGWAYS 'Tisn't a mo'sel o' good for thee to cry out against Wessex folk, when 'twas all thy own stunpoll ignorance. [The VICAR OF DURNOVER removes his pipe and spits perpendicularly.] VICAR My dear misguided man, you don't imagine that we should be so inhuman in this Christian country as to burn a fellow creature alive? RUSTIC Faith, I won't say I didn't! Durnover folk have never had the highest of Christian character, come to that. And I didn't know but that even a pa'son might backslide to such things in these gory times--I won't say on a Zunday, but on a week-night like this--when we think what a blasphemious rascal he is, and that there's not a more charnel-minded villain towards womenfolk in the whole world. [The effigy has by this time been kindled, and they watch it burn, the flames making the faces of the crowd brass-bright, and lighting the grey tower of Durnover Church hard by.] WOMAN (singing) Bayonets and firelocks! I wouldn't my mammy should know't But I've been kissed in a sentry-box, Wrapped up in a soldier's coat! PRIVATE CANTLE Talk of backsliding to burn Boney, I can backslide to anything when my blood is up, or rise to anything, thank God for't! Why, I shouldn't mind fighting Boney single-handed, if so be I had the choice o' weapons, and fresh Rainbarrow flints in my flint-box, and could get at him downhill. Yes, I'm a dangerous hand with a pistol now and then! . . . Hark, what's that? (A horn is heard eastward on the London Road.) Ah, here comes the mail. Now we may learn something. Nothing boldens my nerves like news of slaughter! [Enter mail-coach and steaming horses. It halts for a minute while the wheel is skidded and the horses stale.] SEVERAL What was the latest news from abroad, guard, when you left Piccadilly White-Horse-Cellar! GUARD You have heard, I suppose, that he's given up to public vengeance, by Gover'ment orders? Anybody may take his life in any way, fair or foul, and no questions asked. But Marshal Ney, who was sent to fight him, flung his arms round his neck and joined him with all his men. Next, the telegraph from Plymouth sends news landed there by _The Sparrow_, that he has reached Paris, and King Louis has fled. But the air got hazy before the telegraph had finished, and the name of the place he had fled to couldn't be made out. [The VICAR OF DURNOVER blows a cloud of smoke, and again spits perpendicularly.] VICAR Well, I'm d--- Dear me--dear me! The Lord's will be done. GUARD And there are to be four armies sent against him--English, Proosian, Austrian, and Roosian: the first two under Wellington and Blucher. And just as we left London a show was opened of Boney on horseback as large as life, hung up with his head downwards. Admission one shilling; children half-price. A truly patriot spectacle!--Not that yours here is bad for a simple country-place. [The coach drives on down the hill, and the crowd reflectively watches the burning.] WOMAN (singing) I My Love's gone a-fighting Where war-trumpets call, The wrongs o' men righting Wi' carbine and ball, And sabre for smiting, And charger, and all II Of whom does he think there Where war-trumpets call? To whom does he drink there, Wi' carbine and ball On battle's red brink there, And charger, and all? III Her, whose voice he hears humming Where war-trumpets call, "I wait, Love, thy coming Wi' carbine and ball, And bandsmen a-drumming Thee, charger and all!" [The flames reach the powder in the effigy, which is blown to rags. The band marches off playing "When War's Alarms," the crowd disperses, the vicar stands musing and smoking at his garden door till the fire goes out and darkness curtains the scene.] In the 1600s, Balthasar Gracian, a jesuit priest wrote 300 aphorisms on living life called "The Art of Worldly Wisdom." Join our newsletter below and read them all, one at a time.
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