Eugenics and Other Evils

The End of the Household Gods

The only place where it is possible to find an echo of the mind of the English masses is either in conversation or in comic songs. The latter are obviously the more dubious; but they are the only things recorded and quotable that come anywhere near it. We talk about the popular Press; but in truth there is no popular Press. It may be a good thing; but, anyhow, most readers would be mildly surprised if a newspaper leading article were written in the language of a navvy. Sometimes the Press is interested in things in which the democracy is also genuinely interested; such as horse-racing. Sometimes the Press is about as popular as the Press Gang. We talk of Labour leaders in Parliament; but they would be highly unparliamentary if they talked like labourers. The Bolshevists, I believe, profess to promote something that they call "proletarian art," which only shows that the word Bolshevism can sometimes be abbreviated into bosh. That sort of Bolshevist is not a proletarian, but rather the very thing he accuses everybody else of being. The Bolshevist is above all a bourgeois; a Jewish intellectual of the town. And the real case against industrial intellectualism could hardly be put better than in this very comparison. There has never been such a thing as proletarian art; but there has emphatically been such a thing as peasant art. And the only literature which even reminds us of the real tone and talk of the English working classes is to be found in the comic song of the English music-hall.

I first heard one of them on my voyage to America, in the midst of the sea within sight of the New World, with the Statue of Liberty beginning to loom up on the horizon. From the lips of a young Scotch engineer, of all people in the world, I heard for the first time these immortal words from a London music-hall song:-