E I G H T
1130 Words
E I G H T
The explosion sends us both flying back through the air, and I land hard on my back in the snow. For the third time this morning, the wind is knocked out of me.
I look up at the sky, seeing stars, trying to clear my head. I can still feel the heat on my face from the force of the flames, and my ears ring from the noise.
As I struggle to my knees, I feel a searing pain in my right arm. I look over and see that a small piece of shrapnel is sticking through the edge of my bicep, maybe two inches long, a piece of twisted metal. It hurts like crazy.
I reach over and, without thinking, in one quick motion grab the end of it, grit my teeth and yank. For a moment, I am in the worst pain of my life, as the metal goes completely through my arm and out the other side. Blood rushes down my arm and into the snow, staining my coat.
I quickly take off one sleeve of the coat and see blood on my shirt. I tear off a piece of the sleeve with my teeth and take a strip of cloth and tie it tight over the wound, then put my coat back on. I hope it will staunch the flow of blood. I manage to sit up, and as I look over, I see what was once Dad’s bike: it is now just a heap of useless, burning metal. Now we’re stuck.
I look over at Ben. He looks dazed, too, on his hands and knees, breathing hard, his cheeks black with soot. But at least he is alive.
I hear the roar of an engine and look over and see that, in the distance, the other car has caught traction. It is already taking off down the highway, gaining speed, with my sister inside. I am furious at Ben for making me lose her. I have to catch them.
I turn to the slaverunner car before me, still on its side, and wonder if it runs. I run over to it, determined to try.
I push against it with all I have, trying to get it back on all four tires. But it’s too heavy, barely rocking.
“Help me!” I yell to Ben.
He gets up and hurries to my side, limping. He takes position beside me, and together, we push with all we have. The car is heavier than I imagine, weighed down by all its iron bars. It rocks more and more, and finally, after one big heave, we get it back onto all four tires. It lands in the snow with a crash.
I waste no time. I open the driver’s side door, reach in, grab the dead driver with both hands by the shirt, and yank him out of the seat. His torso is covered in blood, and my hands turn red as I throw him into the snow.
I lean in and examine the slaverunner in the passenger seat. His face is covered in blood, too, but I am not certain he is dead. In fact, as I look closer, I detect some signs of movement. Then he shifts in his seat. He’s alive.
I lean across the car and take him by his shirt, tight in a fist. I hold my g*n to his head and shake him roughly. Finally, his eyes bat open. He blinks, disoriented.
I assume the other slaverunners are heading to Arena One. But they have such a big head start on us, I need to know for sure. I lean in close.
He turns and looks at me, and for a moment, I am stunned: half his face is melted away. It is an old wound, not from the accident, which means he must be a Biovictim. I’ve heard rumors of these people, but I’ve never seen one. When the nuclear payloads were dropped in the cities, those few who survived a direct attack carried the scars, and were rumored to be more s******c and aggressive than others. We call them the Crazies.
I have to be extra careful with this one. I tighten my grip on the g*n.
“Where are they taking her?” I demand through gritted teeth.
He looks back blankly, as if trying to comprehend. I feel certain, though, that he understands.
I shove the barrel into his cheek, letting him know I mean business. And I do. Every passing moment is precious, and I can feel Bree getting farther away from me.
“I said, where are they taking her?”
Finally, his eyes open in what seems to be fear. I think he gets the message.
“The arena,” he finally says, his voice raspy.
My heart flutters, my worst fears confirmed.
“Which one?” I snap.
I pray he does not say Arena One.
He pauses, and I can see he is debating whether or not to tell me. I jab the pistol tighter against his cheekbone.
“Tell me now or you’re wasted!” I yell, surprising myself with the anger in my voice.
Finally, after a long pause, he answers: “Arena One.”
My heart pounds, my worst fears confirmed. Arena One. Manhattan. It is rumored to be the worst of them all. That can only mean one thing: a certain death for Bree.
I feel a fresh rage towards this man, this bottom-feeder, this slaverunner, the lowest rung of society, who has come up here to kidnap my sister, and God knows who else, to feed the machine, just so that others can watch helpless people kill each other. All this senseless death, just for their own entertainment. It is enough to make me want to kill him on the spot.
But I take the g*n out of his cheek, and loosen my grip. I know I should kill him, but can’t bring myself to. He answered my questions, and somehow I feel killing him now wouldn’t be fair. So instead, I will abandon him. I will kick him out of the car and leave him here, which will mean a slow death by starvation. There is no way a slaverunner can survive alone in nature. They are city dwellers—not survivors like us.
I lean back to tell Ben to yank this slaverunner out of the car, when suddenly, I detect motion out of the corner of my eye. The slaverunner is reaching for his belt, moving faster than I thought he was capable. He has tricked me: he is actually in fairly good shape.
He pulls out a g*n faster than I could have ever thought possible. Before I can even register what’s happening, he is already raising it in my direction. Stupidly, I’ve underestimated him.
Some instinct in me takes over, perhaps some instinct inherited from Dad, and without even thinking clearly, I raise my g*n, and right before he shoots, I fire.
- Writer
