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The Disenchantment of ’Lizabeth –––––––– “So you reckon I’ve got to die?” The room was mean, but not without distinction. The meanness lay in lime-washed walls, scant fittings, and uncovered boards; the distinction came of ample proportions and something of durability in the furniture. Rooms, like human faces, reflect their histories; and that generation after generation of the same family had here struggled to birth or death was written in this chamber unmistakably. The candle-light, twinkling on the face of a dark wardrobe near the door, lit up its rough inscription, “S.T. and M.T., MDCLXVII”; the straight-backed oaken chairs might well claim an equal age; and the bed in the corner was a spacious four-poster, pillared in smooth mahogany and curtained in faded green damask. In the sha