The Pirate

Chapter 4

Many prodigious stories of these marine monsters, and of many others less known, were then universally received among the Zetlanders, whose descendants have not as yet by any means abandoned faith in them.[18]

Such legends are, indeed, everywhere current amongst the vulgar; but the imagination is far more powerfully affected by them on the deep and dangerous seas of the north, amidst precipices and headlands, many hundred feet in height,—amid perilous straits, and currents, and eddies,—long sunken reefs of rock, over which the vivid ocean foams and boils,—dark caverns, to whose extremities neither man nor skiff has ever ventured,—lonely, and often uninhabited isles,—and occasionally the ruins of ancient northern fastnesses, dimly seen by the feeble light of the Arctic winter. To Mordaunt, who had much of romance in his disposition, these superstitions formed a pleasing and interesting exercise of the imagination, while, half doubting, half inclined to believe, he listened to the tales chanted concerning these wonders of nature, and creatures of credulous belief, told in the rude but energetic language of the ancient Scalds.

But there wanted not softer and lighter amusement, that might seem better suited to Mordaunt’s age, than the wild tales and rude exercises which we have already mentioned. The season of winter, when, from the shortness of the daylight, labour becomes impossible, is in Zetland the time of revel, feasting, and merriment. Whatever the fisherman has been able to acquire during summer, was expended, and often wasted, in maintaining the mirth and hospitality of his hearth during this period; while the landholders and gentlemen of the island gave double loose to their convivial and hospitable dispositions, thronged their houses with guests, and drove away the rigour of the season with jest, glee, and song, the dance, and the wine-cup.

Amid the revels of this merry, though rigorous season, no youth added more spirit to the dance, or glee to the revel, than the young stranger, Mordaunt Mertoun. When his father’s state of mind permitted, or indeed required, his absence, he wandered from house to house a welcome guest whereever he came, and lent his willing voice to the song, and his foot to the dance. A boat, or, if the weather, as was often the case, permitted not that convenience, one of the numerous ponies, which, straying in hordes about the extensive moors, may be said to be at any man’s command who can catch them, conveyed him from the mansion of one hospitable Zetlander to that of another. None excelled him in performing the warlike sword-dance, a species of amusement which had been derived from the habits of the ancient Norsemen. He could play upon the gue, and upon the common violin, the melancholy and pathetic tunes peculiar to the country; and with great spirit and execution could relieve their monotony with the livelier airs of the North of Scotland. When a party set forth as maskers, or, as they are called in Scotland, guizards, to visit some neighbouring Laird, or rich Udaller, it augured well of the expedition if Mordaunt Mertoun could be prevailed upon to undertake the office of skudler, or leader of the band. Upon these occasions, full of fun and frolic, he led his retinue from house to house, bringing mirth where he went, and leaving regret when he departed. Mordaunt became thus generally known and beloved as generally, through most of the houses composing the patriarchal community of the Main Isle; but his visits were most frequently and most willingly paid at the mansion of his father’s landlord and protector, Magnus Troil.

It was not entirely the hearty and sincere welcome of the worthy old Magnate, nor the sense that he was in effect his father’s patron, which occasioned these frequent visits. The hand of welcome was indeed received as eagerly as it was sincerely given, while the ancient Udaller, raising himself in his huge chair, whereof the inside was lined with well-dressed sealskins, and the outside composed of massive oak, carved by the rude graving-tool of some Hamburgh carpenter, shouted forth his welcome in a tone, which might, in ancient times, have hailed the return of Ioul, the highest festival of the Goths. There was metal yet more attractive, and younger hearts, whose welcome, if less loud, was as sincere as that of the jolly Udaller. But this is matter which ought not to be discussed at the conclusion of a chapter.

[11] i. e. The deep-sea fishing, in distinction to that which is practised along shore.

[12] The operation of slicing the blubber from the bones of the whale, is called, technically, flinching.

[13] Meaning, probably, Patrick Stewart, Earl of Orkney, executed for tyranny and oppression practised on the inhabitants of those remote islands, in the beginning of the seventeenth century.

[14] Finner, small whale.

[15] The sagas of the Scalds are full of descriptions of these champions, and do not permit us to doubt that the Berserkars, so called from fighting without armour, used some physical means of working themselves into a frenzy, during which they possessed the strength and energy of madness. The Indian warriors are well known to do the same by dint of opium and bang.

[16] Fatal accidents, however, sometimes occur. When I visited the Fair Isle in 1814, a poor lad of fourteen had been killed by a fall from the rocks about a fortnight before our arrival. The accident happened almost within sight of his mother, who was casting peats at no great distance. The body fell into the sea, and was seen no more. But the islanders account this an honourable mode of death; and as the children begin the practice of climbing very early, fewer accidents occur than might be expected.

[17] Note I.—Norse Fragments.

[18] Note II.—Monsters of the Northern Seas.

CHAPTER III.

“O, Bessy Bell and Mary Gray,

They were twa bonnie lasses;

They biggit a house on yon burn-brae,

And theekit it ower wi’ rashes.

Fair Bessy Bell I looed yestreen,

And thought I ne’er could alter;

But Mary Gray’s twa pawky een

Have garr’d my fancy falter.”(d)

Scots Song.

We have already mentioned Minna and Brenda, the daughters of Magnus Troil. Their mother had been dead for many years, and they were now two beautiful girls, the eldest only eighteen, which might be a year or two younger than Mordaunt Mertoun, the second about seventeen.—They were the joy of their father’s heart, and the light of his old eyes; and although indulged to a degree which might have endangered his comfort and their own, they repaid his affection with a love, into which even blind indulgence had not introduced slight regard, or feminine caprice. The difference of their tempers and of their complexions was singularly striking, although combined, as is usual, with a certain degree of family resemblance.

The mother of these maidens had been a Scottish lady from the Highlands of Sutherland, the orphan of a noble chief, who, driven from his own country during the feuds of the seventeenth century, had found shelter in those peaceful islands, which, amidst poverty and seclusion, were thus far happy, that they remained unvexed by discord, and unstained by civil broil. The father (his name was Saint Clair) pined for his native glen, his feudal tower, his clansmen, and his fallen authority, and died not long after his arrival in Zetland. The beauty of his orphan daughter, despite her Scottish lineage, melted the stout heart of Magnus Troil. He sued and was listened to, and she became his bride; but dying in the fifth year of their union, left him to mourn his brief period of domestic happiness.

From her mother, Minna inherited the stately form and dark eyes, the raven locks and finely-pencilled brows, which showed she was, on one side at least, a stranger to the blood of Thule. Her cheek,—

“O call it fair, not pale!”

was so slightly and delicately tinged with the rose, that many thought the lily had an undue proportion in her complexion. But in that predominance of the paler flower, there was nothing sickly or languid; it was the true natural colour of health, and corresponded in a peculiar degree with features, which seemed calculated to express a contemplative and high-minded character. When Minna Troil heard a tale of woe or of injustice, it was then her blood rushed to her cheeks, and showed plainly how warm it beat, notwithstanding the generally serious, composed, and retiring disposition, which her countenance and demeanour seemed to exhibit. If strangers sometimes conceived that these fine features were clouded by melancholy, for which her age and situation could scarce have given occasion, they were soon satisfied, upon further acquaintance, that the placid, mild quietude of her disposition, and the mental energy of a character which was but little interested in ordinary and trivial occurrences, was the real cause of her gravity; and most men, when they knew that her melancholy had no ground in real sorrow, and was only the aspiration of a soul bent on more important objects than those by which she was surrounded, might have wished her whatever could add to her happiness, but could scarce have desired that, graceful as she was in her natural and unaffected seriousness, she should change that deportment for one more gay. In short, notwithstanding our wish to have avoided that hackneyed simile of an angel, we cannot avoid saying there was something in the serious beauty of her aspect, in the measured, yet graceful ease of her motions, in the music of her voice, and the serene purity of her eye, that seemed as if Minna Troil belonged naturally to some higher and better sphere, and was only the chance visitant of a world that was not worthy of her.

The scarcely less beautiful, equally lovely, and equally innocent Brenda, was of a complexion as differing from her sister, as they differed in character, taste, and expression. Her profuse locks were of that paly brown which receives from the passing sunbeam a tinge of gold, but darkens again when the ray has passed from it. Her eye, her mouth, the beautiful row of teeth, which in her innocent vivacity were frequently disclosed; the fresh, yet not too bright glow of a healthy complexion, tinging a skin like the drifted snow, spoke her genuine Scandinavian descent. A fairy form, less tall than that of Minna, but still more finely moulded into symmetry—a careless, and almost childish lightness of step—an eye that seemed to look on every object with pleasure, from a natural and serene cheerfulness of disposition, attracted even more general admiration than the charms of her sister, though perhaps that which Minna did excite might be of a more intense as well as more reverential character.

The dispositions of these lovely sisters were not less different than their complexions. In the kindly affections, neither could be said to excel the other, so much were they attached to their father and to each other. But the cheerfulness of Brenda mixed itself with the every-day business of life, and seemed inexhaustible in its profusion. The less buoyant spirit of her sister appeared to bring to society a contented wish to be interested and pleased with what was going forward, but was rather placidly carried along with the stream of mirth and pleasure, than disposed to aid its progress by any efforts of her own. She endured mirth, rather than enjoyed it; and the pleasures in which she most delighted, were those of a graver and more solitary cast. The knowledge which is derived from books was beyond her reach. Zetland afforded few opportunities, in those days, of studying the lessons, bequeathed

“By dead men to their kind;”

and Magnus Troil, such as we have described him, was not a person within whose mansion the means of such knowledge were to be acquired. But the book of nature was before Minna, that noblest of volumes, where we are ever called to wonder and to admire, even when we cannot understand. The plants of those wild regions, the shells on the shores, and the long list of feathered clans which haunt their cliffs and eyries, were as well known to Minna Troil as to the most experienced fowlers. Her powers of observation were wonderful, and little interrupted by other tones of feeling. The information which she acquired by habits of patient attention, was indelibly riveted in a naturally powerful memory. She had also a high feeling for the solitary and melancholy grandeur of the scenes in which she was placed. The ocean, in all its varied forms of sublimity and terror—the tremendous cliffs that resound to the ceaseless roar of the billows, and the clang of the sea-fowl, had for Minna a charm in almost every state in which the changing seasons exhibited them. With the enthusiastic feelings proper to the romantic race from which her mother descended, the love of natural objects was to her a passion capable not only of occupying, but at times of agitating, her mind. Scenes upon which her sister looked with a sense of transient awe or emotion, which vanished on her return from witnessing them, continued long to fill Minna’s imagination, not only in solitude, and in the silence of the night, but in the hours of society. So that sometimes when she sat like a beautiful statue, a present member of the domestic circle, her thoughts were far absent, wandering on the wild sea-shore, and among the yet wilder mountains of her native isles. And yet, when recalled to conversation, and mingling in it with interest, there were few to whom her friends were more indebted for enhancing its enjoyments; and although something in her manners claimed deference (notwithstanding her early youth) as well as affection, even her gay, lovely, and amiable sister was not more generally beloved than the more retired and pensive Minna.