The Merchant of Venice contains some of Shakespeare's most memorable and complex characters. While Antonio is central to this play after all he is normally considered the person for whom it is named audiences are inevitably fascinated by Sherlock the Jew who sues Antonio for a lethal proud of flesh in return for unpaid loans and by Portia the wealthy heiress who marries Antonio's friend Bassanio and saves Antonio's life in a dramatic courtroom scene. Although Shylock is the villian of this play Shakespeare departs from the Elizabethan caricature of the cruel hated Jew as exemplified by Marlowe's Barabas in The Jew of Malta 1589-90. His creation is more complex fusing humanity with unrelenting cruelty and a strict adherence to the letter of the law. In this way the Jew- figure becomes something impossible to define performable as the clownish, evil, red- haired Elizabethan devil or as the sympathetic Jew of our modern post- h*******t view. Whether his ultimately cruel punishment is his redemption or his humiliation just does not matter when a broken Sherlock murmurs his last line: I am not well. Despite being on a more comic trajectory Portia like Sherlock is also bound by strict adherence to the law. First she faithfully submits to the terms of her father's will which force her to select her future husband according to their choice of gold, silver or leaden casket . Second once Bassanio has chosen the correct box she displays a brilliant understanding of the law to free Antonio from Sherlock on a technality. Yet for all her brilliance in the court room Portia must dress as a man there and again like Sherlock this rich heiress actions demonstrate the prejudices and limitations of a Venetian society.