Late in the afternoon I got a letter directed in a strange hand, fine and firm, with marked characteristics and well formed letters, and just enough of unevenness to set me at ease. I am never quite happy with the writer whose hand is exact, letter by letter, and word by word, and line by line. So much can be told by handwriting, I thought, as I looked at the letter lying beside my plate. A hand that has no characteristics is that of a person insipid; a hand that is too marked and too various is disconcerting and undependable. Here my philosophising came to an end, for I had opened the envelope, and not knowing the writing, had looked at the signature, “Marjory Anita.”
I hoped that no one at the table d’hote breakfast noticed me, for I felt that I was red and pale by turns. I laid the let
