THE EPISODE OF THE GENTLEMAN WHO HAD FAILED FOR EVERYTHING
One day, about those times, I went round to call on my aunt, Lady
Tepping. And lest you accuse me of the vulgar desire to flaunt my fine
relations in your face, I hasten to add that my poor dear old aunt is
a very ordinary specimen of the common Army widow. Her husband, Sir
Malcolm, a crusty old gentleman of the ancient school, was knighted
in Burma, or thereabouts, for a successful raid upon naked natives, on
something that is called the Shan frontier. When he had grown grey
in the service of his Queen and country, besides earning himself
incidentally a very decent pension, he acquired gout and went to his
long rest in Kensal Green Cemetery. He left his wife with one daughter,
and the only pretence to a title in our otherwise blameless family.
My cousin Daphne is a very pretty girl, with those quiet, sedate manners
which often develop later in life into genuine self-respect and real
depth of character. Fools do not admire her; they accuse her of being
"heavy." But she can do without fools; she has a fine, strongly built
figure, an upright carriage, a large and broad forehead, a firm chin,
and features which, though well-marked and well-moulded, are yet
delicate in outline and sensitive in expression. Very young men seldom
take to Daphne: she lacks the desired inanity. But she has mind, repose,
and womanly tenderness. Indeed, if she had not been my cousin, I almost
think I might once have been tempted to fall in love with her.
When I reached Gloucester Terrace, on this particular afternoon, I found
Hilda Wade there before me. She had lunched at my aunt's, in fact. It
was her "day out" at St. Nathaniel's, and she had come round to spend it
with Daphne Tepping. I had introduced her to the house some time before,
and she and my cousin had struck up a close acquaintance immediately.
Their temperaments were sympathetic; Daphne admired Hilda's depth and
reserve, while Hilda admired Daphne's grave grace and self-control, her
perfect freedom from current affectations. She neither giggled nor aped
Ibsenism.
A third person stood back in the room when I entered--a tall and
somewhat jerry-built young man, with a rather long and solemn face, like
an early stage in the evolution of a Don Quixote. I took a good look
at him. There was something about his air that impressed me as both
lugubrious and humorous; and in this I was right, for I learned later
that he was one of those rare people who can sing a comic song with
immense success while preserving a sour countenance, like a Puritan
preacher's. His eyes were a little sunken, his fingers long and nervous;
but I fancied he looked a good fellow at heart, for all that, though
foolishly impulsive. He was a punctilious gentleman, I felt sure; his
face and manner grew upon one rapidly.
Daphne rose as I entered, and waved the stranger forward with an
imperious little wave. I imagined, indeed, that I detected in the
gesture a faint touch of half-unconscious proprietorship. "Good-morning,
Hubert," she said, taking my hand, but turning towards the tall young
man. "I don't think you know Mr. Cecil Holsworthy."
"I have heard you speak of him," I answered, drinking him in with my
glance. I added internally, "Not half good enough for you."
Hilda's eyes met mine and read my thought. They flashed back word, in
the language of eyes, "I do not agree with you."
Daphne, meanwhile, was watching me closely. I could see she was anxious
to discover what impression her friend Mr. Holsworthy was making on me.
Till then, I had no idea she was fond of anyone in particular; but
the way her glance wandered from him to me and from me to Hilda showed
clearly that she thought much of this gawky visitor.
We sat and talked together, we four, for some time. I found the young
man with the lugubrious countenance improved immensely on closer
acquaintance. His talk was clever. He turned out to be the son of a
politician high in office in the Canadian Government, and he had been
educated at Oxford. The father, I gathered, was rich, but he himself was
making an income of nothing a year just then as a briefless barrister,
and he was hesitating whether to accept a post of secretary that had
been offered him in the colony, or to continue his negative career at
the Inner Temple, for the honour and glory of it.
"Now, which would YOU advise me, Miss Tepping?" he inquired, after we
had discussed the matter some minutes.
Daphne's face flushed up. "It is so hard to decide," she answered. "To
decide to YOUR best advantage, I mean, of course. For naturally all your
English friends would wish to keep you as long as possible in England."
"No, do you think so?" the gawky young man jerked out with evident
pleasure. "Now, that's awfully kind of you. Do you know, if YOU tell
me I ought to stay in England, I've half a mind... I'll cable over this
very day and refuse the appointment."
Daphne flushed once more. "Oh, please don't!" she exclaimed, looking
frightened. "I shall be quite distressed if a stray word of mine should
debar you from accepting a good offer of a secretaryship."
"Why, your least wish--" the young man began--then checked himself
hastily--"must be always important," he went on, in a different voice,
"to everyone of your acquaintance."
Daphne rose hurriedly. "Look here, Hilda," she said, a little
tremulously, biting her lip, "I have to go out into Westbourne Grove to
get those gloves for to-night, and a spray for my hair; will you excuse
me for half an hour?"
Holsworthy rose too. "Mayn't I go with you?" he asked, eagerly.
"Oh, if you like. How very kind of you!" Daphne answered, her cheek a
blush rose. "Hubert, will you come too? and you, Hilda?"
It was one of those invitations which are given to be refused. I did not
need Hilda's warning glance to tell me that my company would be quite
superfluous. I felt those two were best left together.
"It's no use, though, Dr. Cumberledge!" Hilda put in, as soon as they
were gone. "He WON'T propose, though he has had every encouragement.
I don't know what's the matter; but I've been watching them both for
weeks, and somehow things seem never to get any forwarder."
"You think he's in love with her?" I asked.
"In love with her! Well, you have eyes in your head, I know; where could
they have been looking? He's madly in love--a very good kind of love,
too. He genuinely admires and respects and appreciates all Daphne's
sweet and charming qualities."
"Then what do you suppose is the matter?"
"I have an inkling of the truth: I imagine Mr. Cecil must have let
himself in for a prior attachment."
"If so, why does he hang about Daphne?"
"Because--he can't help himself. He's a good fellow and a chivalrous
fellow. He admires your cousin; but he must have got himself into some
foolish entanglement elsewhere which he is too honourable to break off;
while at the same time he's far too much impressed by Daphne's fine
qualities to be able to keep away from her. It's the ordinary case of
love versus duty."
"Is he well off? Could he afford to marry Daphne?"
"Oh, his father's very rich: he has plenty of money; a Canadian
millionaire, they say. That makes it all the likelier that some
undesirable young woman somewhere may have managed to get hold of him.
Just the sort of romantic, impressionable hobbledehoy such women angle
for."
I drummed my fingers on the table. Presently Hilda spoke again. "Why
don't you try to get to know him, and find out precisely what's the
matter?"
"I KNOW what's the matter--now you've told me," I answered. "It's as
clear as day. Daphne is very much smitten with him, too. I'm sorry for
Daphne! Well, I'll take your advice; I'll try to have some talk with
him."
"Do, please; I feel sure I have hit upon it. He has got himself engaged
in a hurry to some girl he doesn't really care about, and he is far too
much of a gentleman to break it off, though he's in love quite another
way with Daphne."
Just at that moment the door opened and my aunt entered.
"Why, where's Daphne?" she cried, looking about her and arranging her
black lace shawl.
"She has just run out into Westbourne Grove to get some gloves and
a flower for the fete this evening," Hilda answered. Then she added,
significantly, "Mr. Holsworthy has gone with her."
"What? That boy's been here again?"
"Yes, Lady Tepping. He called to see Daphne."
My aunt turned to me with an aggrieved tone. It is a peculiarity of my
aunt's--I have met it elsewhere--that if she is angry with Jones, and
Jones is not present, she assumes a tone of injured asperity on his
account towards Brown or Smith, or any other innocent person whom she
happens to be addressing. "Now, this is really too bad, Hubert," she
burst out, as if _I_ were the culprit. "Disgraceful! Abominable! I'm
sure I can't make out what the young fellow means by it. Here he comes
dangling after Daphne every day and all day long--and never once says
whether he means anything by it or not. In MY young days, such conduct
as that would not have been considered respectable."
I nodded and beamed benignly.
"Well, why don't you answer me?" my aunt went on, warming up. "DO you
mean to tell me you think his behaviour respectful to a nice girl in
Daphne's position?"
"My dear aunt," I answered, "you confound the persons. I am not Mr.
Holsworthy. I decline responsibility for him. I meet him here, in YOUR
house, for the first time this morning."
"Then that shows how often you come to see your relations, Hubert!"
my aunt burst out, obliquely. "The man's been here, to my certain
knowledge, every day this six weeks."
"Really, Aunt Fanny," I said; "you must recollect that a professional
man--"
"Oh, yes. THAT'S the way! Lay it all down to your profession, do,
Hubert! Though I KNOW you were at the Thorntons' on Saturday--saw it in
the papers--the Morning Post--'among the guests were Sir Edward and Lady
Burnes, Professor Sebastian, Dr. Hubert Cumberledge,' and so forth, and
so forth. YOU think you can conceal these things; but you can't. I get
to know them!"
"Conceal them! My dearest aunt! Why, I danced twice with Daphne."
"Daphne! Yes, Daphne. They all run after Daphne," my aunt exclaimed,
altering the venue once more. "But there's no respect for age left.
_I_ expect to be neglected. However, that's neither here nor there. The
point is this: you're the one man now living in the family. You ought
to behave like a brother to Daphne. Why don't you board this Holsworthy
person and ask him his intentions?"
"Goodness gracious!" I cried; "most excellent of aunts, that epoch has
gone past. The late lamented Queen Anne is now dead. It's no use asking
the young man of to-day to explain his intentions. He will refer you to
the works of the Scandinavian dramatists."
My aunt was speechless. She could only gurgle out the words: "Well,
I can safely say that of all the monstrous behaviour--" then language
failed her and she relapsed into silence.
However, when Daphne and young Holsworthy returned, I had as much talk
with him as I could, and when he left the house I left also.
"Which way are you walking?" I asked, as we turned out into the street.
"Towards my rooms in the Temple."
"Oh! I'm going back to St. Nathaniel's," I continued. "If you'll allow
me, I'll walk part way with you."
"How very kind of you!"
We strode side by side a little distance in silence. Then a thought
seemed to strike the lugubrious young man. "What a charming girl your
cousin is!" he exclaimed, abruptly.
"You seem to think so," I answered, smiling.
He flushed a little; the lantern jaw grew longer. "I admire her, of
course," he answered. "Who doesn't? She is so extraordinarily handsome."
"Well, not exactly handsome," I replied, with more critical and
kinsman-like deliberation. "Pretty, if you will; and decidedly pleasing
and attractive in manner."
He looked me up and down, as if he found me a person singularly
deficient in taste and appreciation. "Ah, but then, you are her cousin,"
he said at last, with a compassionate tone. "That makes a difference."
"I quite see all Daphne's strong points," I answered, still smiling, for
I could perceive he was very far gone. "She is good-looking, and she is
clever."
"Clever!" he echoed. "Profound! She has a most unusual intellect. She
stands alone."
"Like her mother's silk dresses," I murmured, half under my breath.
He took no notice of my flippant remark, but went on with his rhapsody.
"Such depth; such penetration! And then, how sympathetic! Why, even to a
mere casual acquaintance like myself, she is so kind, so discerning!"
"ARE you such a casual acquaintance?" I inquired, with a smile. (It
might have shocked Aunt Fanny to hear me; but THAT is the way we ask a
young man his intentions nowadays.)
He stopped short and hesitated. "Oh, quite casual," he replied, almost
stammering. "Most casual, I assure you.... I have never ventured to do
myself the honour of supposing that... that Miss Tepping could possibly
care for me."
"There is such a thing as being TOO modest and unassuming," I answered.
"It sometimes leads to unintentional cruelty."
"No, do you think so?" he cried, his face falling all at once. "I should
blame myself bitterly if that were so. Dr. Cumberledge, you are her
cousin. DO you gather that I have acted in such a way as to--to lead
Miss Tepping to suppose I felt any affection for her?"
I laughed in his face. "My dear boy," I answered, laying one hand on
his shoulder, "may I say the plain truth? A blind bat could see you are
madly in love with her."
His mouth twitched. "That's very serious!" he answered, gravely; "very
serious."
"It is," I responded, with my best paternal manner, gazing blankly in
front of me.
He stopped short again. "Look here," he said, facing me. "Are you busy?
No? Then come back with me to my rooms; and--I'll make a clean breast of
it."
"By all means," I assented. "When one is young--and foolish--I have
often noticed, as a medical man, that a drachm of clean breast is a
magnificent prescription."
He walked back by my side, talking all the way of Daphne's many adorable
qualities. He exhausted the dictionary for laudatory adjectives. By the
time I reached his door it was not HIS fault if I had not learned that
the angelic hierarchy were not in the running with my pretty cousin for
graces and virtues. I felt that Faith, Hope, and Charity ought to resign
at once in favour of Miss Daphne Tepping, promoted.
He took me into his comfortably furnished rooms--the luxurious rooms
of a rich young bachelor, with taste as well as money--and offered me a
partaga. Now, I have long observed, in the course of my practice, that
a choice cigar assists a man in taking a philosophic outlook on the
question under discussion; so I accepted the partaga. He sat
down opposite me and pointed to a photograph in the centre of his
mantlepiece. "I am engaged to that lady," he put in, shortly.
"So I anticipated," I answered, lighting up.
He started and looked surprised. "Why, what made you guess it?" he
inquired.
I smiled the calm smile of superior age--I was some eight years or so
his senior. "My dear fellow," I murmured, "what else could prevent you
from proposing to Daphne--when you are so undeniably in love with her?"
"A great deal," he answered. "For example, the sense of my own utter
unworthiness."
"One's own unworthiness," I replied, "though doubtless real--p'f,
p'f--is a barrier that most of us can readily get over when our
admiration for a particular lady waxes strong enough. So THIS is the
prior attachment!" I took the portrait down and scanned it.
"Unfortunately, yes. What do you think of her?"
I scrutinised the features. "Seems a nice enough little thing," I
answered. It was an innocent face, I admit; very frank and girlish.
He leaned forward eagerly. "That's just it. A nice enough little thing!
Nothing in the world to be said against her. While Daphne--Miss Tepping,
I mean--" His silence was ecstatic.
I examined the photograph still more closely. It displayed a lady of
twenty or thereabouts, with a weak face, small, vacant features, a
feeble chin, a good-humoured, simple mouth, and a wealth of golden hair
that seemed to strike a keynote.
"In the theatrical profession?" I inquired at last, looking up.
He hesitated. "Well, not exactly," he answered.
I pursed my lips and blew a ring. "Music-hall stage?" I went on,
dubiously.
He nodded. "But a girl is not necessarily any the less a lady because
she sings at a music-hall," he added, with warmth, displaying an evident
desire to be just to his betrothed, however much he admired Daphne.
"Certainly not," I admitted. "A lady is a lady; no occupation can in
itself unladify her.... But on the music-hall stage, the odds, one must
admit, are on the whole against her."
"Now, THERE you show prejudice!"
"One may be quite unprejudiced," I answered, "and yet allow that
connection with the music-halls does not, as such, afford clear proof
that a girl is a compound of all the virtues."
"I think she's a good girl," he retorted, slowly.
"Then why do you want to throw her over?" I inquired.
"I don't. That's just it. On the contrary, I mean to keep my word and
marry her."
"IN ORDER to keep your word?" I suggested.
He nodded. "Precisely. It is a point of honour."
"That's a poor ground of marriage," I went on. "Mind, I don't want for a
moment to influence you, as Daphne's cousin. I want to get at the truth
of the situation. I don't even know what Daphne thinks of you. But you
promised me a clean breast. Be a man and bare it."
He bared it instantly. "I thought I was in love with this girl, you
see," he went on, "till I saw Miss Tepping."
"That makes a difference," I admitted.
"And I couldn't bear to break her heart."
"Heaven forbid!" I cried. "It is the one unpardonable sin. Better
anything than that." Then I grew practical. "Father's consent?"
"MY father's? IS it likely? He expects me to marry into some
distinguished English family."
I hummed a moment. "Well, out with it!" I exclaimed, pointing my cigar
at him.
He leaned back in his chair and told me the whole story. A pretty girl;
golden hair; introduced to her by a friend; nice, simple little thing;
mind and heart above the irregular stage on to which she had been driven
by poverty alone; father dead; mother in reduced circumstances. "To keep
the home together, poor Sissie decided--"
"Precisely so," I murmured, knocking off my ash. "The usual
self-sacrifice! Case quite normal! Everything en regle!"
"You don't mean to say you doubt it?" he cried, flushing up, and
evidently regarding me as a hopeless cynic. "I do assure you, Dr.
Cumberledge, the poor child--though miles, of course, below Miss
Tepping's level--is as innocent, and as good--"
"As a flower in May. Oh, yes; I don't doubt it. How did you come to
propose to her, though?"
He reddened a little. "Well, it was almost accidental," he said,
sheepishly. "I called there one evening, and her mother had a headache
and went up to bed. And when we two were left alone, Sissie talked a
great deal about her future and how hard her life was. And after a while
she broke down and began to cry. And then--"
I cut him short with a wave of my hand. "You need say no more," I put
in, with a sympathetic face. "We have all been there."
We paused a moment, while I puffed smoke at the photograph again.
"Well," I said at last, "her face looks to me really simple and nice. It
is a good face. Do you see her often?"
"Oh, no; she's on tour."
"In the provinces?"
"M'yes; just at present, at Scarborough."
"But she writes to you?"
"Every day."
"Would you think it an unpardonable impertinence if I made bold to
ask whether it would be possible for you to show me a specimen of her
letters?"
He unlocked a drawer and took out three or four. Then he read one
through, carefully. "I don't think," he said, in a deliberative voice,
"it would be a serious breach of confidence in me to let you look
through this one. There's really nothing in it, you know--just the
ordinary average every-day love-letter."
I glanced through the little note. He was right. The conventional hearts
and darts epistle. It sounded nice enough: "Longing to see you again;
so lonely in this place; your dear sweet letter; looking forward to the
time; your ever-devoted Sissie."
"That seems straight," I answered. "However, I am not quite sure. Will
you allow me to take it away, with the photograph? I know I am asking
much. I want to show it to a lady in whose tact and discrimination I
have the greatest confidence."
"What, Daphne?"
I smiled. "No, not Daphne," I answered. "Our friend, Miss Wade. She has
extraordinary insight."
"I could trust anything to Miss Wade. She is true as steel."
"You are right," I answered. "That shows that you, too, are a judge of
character."
He hesitated. "I feel a brute," he cried, "to go on writing every day
to Sissie Montague--and yet calling every day to see Miss Tepping. But
still--I do it."
I grasped his hand. "My dear fellow," I said, "nearly ninety per cent.
of men, after all--are human!"
I took both letter and photograph back with me to Nathaniel's. When I
had gone my rounds that night, I carried them into Hilda Wade's room and
told her the story. Her face grew grave. "We must be just," she said at
last. "Daphne is deeply in love with him; but even for Daphne's sake, we
must not take anything for granted against the other lady."
I produced the photograph. "What do you make of that?" I asked. "_I_
think it an honest face, myself, I may tell you."
She scrutinised it long and closely with a magnifier. Then she put her
head on one side and mused very deliberately. "Madeline Shaw gave me her
photograph the other day, and said to me, as she gave it, 'I do so like
these modern portraits; they show one WHAT MIGHT HAVE BEEN.'"
"You mean they are so much touched up!"
"Exactly. That, as it stands, is a sweet, innocent face--an honest
girl's face--almost babyish in its transparency but... the innocence has
all been put into it by the photographer."
"You think so?"
"I know it. Look here at those lines just visible on the cheek. They
disappear, nowhere, at impossible angles. AND the corners of that mouth.
They couldn't go so, with that nose and those puckers. The thing is
not real. It has been atrociously edited. Part is nature's; part, the
photographer's; part, even possibly paint and powder."
"But the underlying face?"
"Is a minx's."
I handed her the letter. "This next?" I asked, fixing my eyes on her as
she looked.
She read it through. For a minute or two she examined it. "The letter
is right enough," she answered, after a second reading, "though its
guileless simplicity is, perhaps, under the circumstances, just a leetle
overdone; but the handwriting--the handwriting is duplicity itself: a
cunning, serpentine hand, no openness or honesty in it. Depend upon it,
that girl is playing a double game."
"You believe, then, there is character in handwriting?"
"Undoubtedly; when we know the character, we can see it in the writing.
The difficulty is, to see it and read it BEFORE we know it; and I
have practised a little at that. There is character in all we do, of
course--our walk, our cough, the very wave of our hands; the only secret
is, not all of us have always skill to see it. Here, however, I feel
pretty sure. The curls of the g's and the tails of the y's--how full
they are of wile, of low, underhand trickery!"
I looked at them as she pointed. "That is true!" I exclaimed. "I see it
when you show it. Lines meant for effect. No straightness or directness
in them!"
Hilda reflected a moment. "Poor Daphne!" she murmured. "I would do
anything to help her.... I'll tell what might be a good plan." Her
face brightened. "My holiday comes next week. I'll run down to
Scarborough--it's as nice a place for a holiday as any--and I'll observe
this young lady. It can do no harm--and good may come of it."
"How kind of you!" I cried. "But you are always all kindness."
Hilda went to Scarborough, and came back again for a week before going
on to Bruges, where she proposed to spend the greater part of her
holidays. She stopped a night or two in town to report progress, and,
finding another nurse ill, promised to fill her place till a substitute
was forthcoming.
"Well, Dr. Cumberledge," she said, when she saw me alone, "I was right!
I have found out a fact or two about Daphne's rival!"
"You have seen her?" I asked.
"Seen her? I have stopped for a week in the same house. A very nice
lodging-house on the Spa front, too. The girl's well enough off. The
poverty plea fails. She goes about in good rooms and carries a mother
with her."
"That's well," I answered. "That looks all right."
"Oh, yes, she's quite presentable: has the manners of a lady whenever
she chooses. But the chief point is this: she laid her letters every day
on the table in the passage outside her door for post--laid them all
in a row, so that when one claimed one's own one couldn't help seeing
them."
"Well, that was open and aboveboard," I continued, beginning to fear we
had hastily misjudged Miss Sissie Montague.
"Very open--too much so, in fact; for I was obliged to note the fact
that she wrote two letters regularly every day of her life--'to my two
mashes,' she explained one afternoon to a young man who was with her as
she laid them on the table. One of them was always addressed to Cecil
Holsworthy, Esq."
"And the other?"
"Wasn't."
"Did you note the name?" I asked, interested.
"Yes; here it is." She handed me a slip of paper.
I read it: "Reginald Nettlecraft, Esq., 427, Staples Inn, London."
"What, Reggie Nettlecraft!" I cried, amused. "Why, he was a very little
boy at Charterhouse when I was a big one; he afterwards went to Oxford,
and got sent down from Christ Church for the part he took in burning a
Greek bust in Tom Quad--an antique Greek bust--after a bump supper."
"Just the sort of man I should have expected," Hilda answered, with a
suppressed smile. "I have a sort of inkling that Miss Montague likes HIM
best; he is nearer her type; but she thinks Cecil Holsworthy the better
match. Has Mr. Nettlecraft money?"
"Not a penny, I should say. An allowance from his father, perhaps, who
is a Lincolnshire parson; but otherwise, nothing."
"Then, in my opinion, the young lady is playing for Mr. Holsworthy's
money; failing which, she will decline upon Mr. Nettlecraft's heart."
We talked it all over. In the end I said abruptly: "Nurse Wade, you have
seen Miss Montague, or whatever she calls herself. I have not. I won't
condemn her unheard. I have half a mind to run down one day next week to
Scarborough and have a look at her."
"Do. That will suffice. You can judge then for yourself whether or not I
am mistaken."
I went; and what is more, I heard Miss Sissie sing at her hall--a
pretty domestic song, most childish and charming. She impressed me not
unfavourably, in spite of what Hilda said. Her peach-blossom cheek might
have been art, but looked like nature. She had an open face, a baby
smile and there was a frank girlishness about her dress and manner that
took my fancy. "After all," I thought to myself, "even Hilda Wade is
fallible."
So that evening, when her "turn" was over, I made up my mind to go round
and call upon her. I had told Cecil Holsworthy my intentions beforehand,
and it rather shocked him. He was too much of a gentleman to wish to spy
upon the girl he had promised to marry. However, in my case, there need
be no such scruples. I found the house and asked for Miss Montague. As
I mounted the stairs to the drawing-room floor, I heard a sound of
voices--the murmur of laughter; idiotic guffaws, suppressed giggles, the
masculine and feminine varieties of tomfoolery.
"YOU'D make a splendid woman of business, YOU would!" a young man was
saying. I gathered from his drawl that he belonged to that sub-species
of the human race which is known as the Chappie.
"Wouldn't I just?" a girl's voice answered, tittering. I recognised it
as Sissie's. "You ought to see me at it! Why, my brother set up a place
once for mending bicycles; and I used to stand about at the door, as if
I had just returned from a ride; and when fellows came in, with a nut
loose or something, I'd begin talking with them while Bertie tightened
it. Then, when THEY weren't looking, I'd dab the business end of a
darning-needle, so, just plump into their tires; and of course, as soon
as they went off, they were back again in a minute to get a puncture
mended! I call THAT business."
A roar of laughter greeted the recital of this brilliant incident in a
commercial career. As it subsided, I entered. There were two men in the
room, besides Miss Montague and her mother, and a second young lady.
"Excuse this late call," I said, quietly, bowing. "But I have only one
night in Scarborough, Miss Montague, and I wanted to see you. I'm a
friend of Mr. Holsworthy's. I told him I'd look you up, and this is my
sole opportunity."
I FELT rather than saw that Miss Montague darted a quick glance of
hidden meaning at her friends the chappies; their faces, in response,
ceased to snigger and grew instantly sober.
She took my card; then, in her alternative manner as the perfect lady,
she presented me to her mother. "Dr. Cumberledge, mamma," she said, in a
faintly warning voice. "A friend of Mr. Holsworthy's."
The old lady half rose. "Let me see," she said, staring at me. "WHICH is
Mr. Holsworthy, Siss?--is it Cecil or Reggie?"
One of the chappies burst into a fatuous laugh once more at this remark.
"Now, you're giving away the whole show, Mrs. Montague!" he exclaimed,
with a chuckle. A look from Miss Sissie immediately checked him.
I am bound to admit, however, that after these untoward incidents of
the first minute, Miss Montague and her friends behaved throughout
with distinguished propriety. Her manners were perfect--I may even say
demure. She asked about "Cecil" with charming naivete. She was frank and
girlish. Lots of innocent fun in her, no doubt--she sang us a comic
song in excellent taste, which is a severe test--but not a suspicion of
double-dealing. If I had not overheard those few words as I came up
the stairs, I think I should have gone away believing the poor girl an
injured child of nature.
As it was, I went back to London the very next day, determined to renew
my slight acquaintance with Reggie Nettlecraft.
Fortunately, I had a good excuse for going to visit him. I had been
asked to collect among old Carthusians for one of those endless
"testimonials" which pursue one through life, and are, perhaps, the
worst Nemesis which follows the crime of having wasted one's youth at
a public school: a testimonial for a retiring master, or professional
cricketer, or washerwoman, or something; and in the course of my
duties as collector it was quite natural that I should call upon all my
fellow-victims. So I went to his rooms in Staples Inn and reintroduced
myself.
Reggie Nettlecraft had grown up into an unwholesome, spotty,
indeterminate young man, with a speckled necktie, and cuffs of which he
was inordinately proud, and which he insisted on "flashing" every second
minute. He was also evidently self-satisfied; which was odd, for I have
seldom seen anyone who afforded less cause for rational satisfaction.
"Hullo," he said, when I told him my name. "So it's you, is it,
Cumberledge?" He glanced at my card. "St. Nathaniel's Hospital! What
rot! Why, blow me tight if you haven't turned sawbones!"
"That is my profession," I answered, unashamed. "And you?"
"Oh, I don't have any luck, you know, old man. They turned me out
of Oxford because I had too much sense of humour for the authorities
there--beastly set of old fogeys! Objected to my 'chucking' oyster
shells at the tutors' windows--good old English custom, fast becoming
obsolete. Then I crammed for the Army. But, bless your heart, a
GENTLEMAN has no chance for the Army nowadays; a pack of blooming cads,
with what they call 'intellect,' read up for the exams, and don't
give US a look-in; I call it sheer piffle. Then the Guv'nor set me on
electrical engineering--electrical engineering's played out. I put no
stock in it; besides, it's such beastly fag; and then, you get your
hands dirty. So now I'm reading for the Bar; and if only my coach can
put me up to tips enough to dodge the examiners, I expect to be called
some time next summer."
"And when you have failed for everything?" I inquired, just to test his
sense of humour.
He swallowed it like a roach. "Oh, when I've failed for everything,
I shall stick up to the Guv'nor. Hang it all, a GENTLEMAN can't be
expected to earn his own livelihood. England's going to the dogs, that's
where it is; no snug little sinecures left for chaps like you and
me; all this beastly competition. And no respect for the feelings of
gentlemen, either! Why, would you believe it, Cumberground--we used
to call you Cumberground at Charterhouse, I remember, or was it Fig
Tree?--I happened to get a bit lively in the Haymarket last week, after
a rattling good supper, and the chap at the police court--old cove with
a squint--positively proposed to send me to prison, WITHOUT THE OPTION
OF A FINE!--I'll trouble you for that--send ME to prison just--for
knocking down a common brute of a bobby. There's no mistake about it;
England's NOT a country now for a gentleman to live in."
"Then why not mark your sense of the fact by leaving it?" I inquired,
with a smile.
He shook his head. "What? Emigrate? No, thank you! I'm not taking any.
None of your colonies for ME, IF you please. I shall stick to the old
ship. I'm too much attached to the Empire."
"And yet imperialists," I said, "generally gush over the colonies--the
Empire on which the sun never sets."
"The Empire in Leicester Squire!" he responded, gazing at me with
unspoken contempt. "Have a whisky-and-soda, old chap? What, no? 'Never
drink between meals?' Well, you DO surprise me! I suppose that comes of
being a sawbones, don't it?"
"Possibly," I answered. "We respect our livers." Then I went on to the
ostensible reason of my visit--the Charterhouse testimonial. He slapped
his thighs metaphorically, by way of suggesting the depleted condition
of his pockets. "Stony broke, Cumberledge," he murmured; "stony broke!
Honour bright! Unless Bluebird pulls off the Prince of Wales's Stakes, I
really don't know how I'm to pay the Benchers."
"It's quite unimportant," I answered. "I was asked to ask you, and I
HAVE asked you."
"So I twig, my dear fellow. Sorry to have to say NO. But I'll tell you
what I can do for you; I can put you upon a straight thing--"
I glanced at the mantelpiece. "I see you have a photograph of Miss
Sissie Montague," I broke in casually, taking it down and examining
it. "WITH an autograph, too. 'Reggie, from Sissie.' You are a friend of
hers?"
"A friend of hers? I'll trouble you. She IS a clinker, Sissie is! You
should see that girl smoke. I give you my word of honour, Cumberledge,
she can consume cigarettes against any fellow I know in London. Hang it
all, a girl like that, you know--well, one can't help admiring her! Ever
seen her?"
"Oh, yes; I know her. I called on her, in fact, night before last, at
Scarborough."
He whistled a moment, then broke into an imbecile laugh. "My gum," he
cried; "this IS a start, this is! You don't mean to tell me YOU are the
other Johnnie."
"What other Johnnie?" I asked, feeling we were getting near it.
He leaned back and laughed again. "Well, you know that girl Sissie,
she's a clever one, she is," he went on after a minute, staring at me.
"She's a regular clinker! Got two strings to her bow; that's where the
trouble comes in. Me and another fellow. She likes me for love and the
other fellow for money. Now, don't you come and tell me that YOU are the
other fellow."
"I have certainly never aspired to the young lady's hand," I answered,
cautiously. "But don't you know your rival's name, then?"
"That's Sissie's blooming cleverness. She's a caulker, Sissie is; you
don't take a rise out of Sissie in a hurry. She knows that if I knew who
the other bloke was, I'd blow upon her little game to him and put him
off her. And I WOULD, s'ep me taters; for I'm nuts on that girl. I tell
you, Cumberledge, she IS a clinker!"
"You seem to me admirably adapted for one another," I answered,
truthfully. I had not the slightest compunction in handing Reggie
Nettlecraft over to Sissie, nor in handing Sissie over to Reggie
Nettlecraft.
"Adapted for one another? That's just it. There, you hit the right nail
plump on the cocoanut, Cumberground! But Sissie's an artful one, she is.
She's playing for the other Johnnie. He's got the dibs, you know; and
Sissie wants the dibs even more than she wants yours truly."
"Got what?" I inquired, not quite catching the phrase.
"The dibs, old man; the c***k; the oof; the ready rhino. He rolls in
it, she says. I can't find out the chap's name, but I know his Guv'nor's
something or other in the millionaire trade somewhere across in
America."
"She writes to you, I think?"
"That's so; every blooming day; but how the dummy did you come to know
it?"
"She lays letters addressed to you on the hall table at her lodgings in
Scarborough."
"The dickens she does! Careless little beggar! Yes, she writes to
me--pages. She's awfully gone on me, really. She'd marry me if it wasn't
for the Johnnie with the dibs. She doesn't care for HIM: she wants his
money. He dresses badly, don't you see; and, after all, the clothes make
the man! I'D like to get at him. I'D spoil his pretty face for him." And
he assumed a playfully pugilistic attitude.
"You really want to get rid of this other fellow?" I asked, seeing my
chance.
"Get rid of him? Why, of course! Chuck him into the river some nice dark
night if I could once get a look at him!"
"As a preliminary step, would you mind letting me see one of Miss
Montague's letters?" I inquired.
He drew a long breath. "They're a bit affectionate, you know," he
murmured, stroking his beardless chin in hesitation. "She's a hot 'un,
Sissie is. She pitches it pretty warm on the affection-stop, I can tell
you. But if you really think you can give the other Johnnie a cut on the
head with her letters--well, in the interests of true love, which never
DOES run smooth, I don't mind letting you have a squint, as my friend,
at one of her charming billy-doos."
He took a bundle from a drawer, ran his eye over one or two with a
maudlin air, and then selected a specimen not wholly unsuitable for
publication. "THERE'S one in the eye for C.," he said, chuckling. "What
would C. say to that, I wonder? She always calls him C., you know; it's
so jolly non-committing. She says, 'I only wish that beastly old bore
C. were at Halifax--which is where he comes from and then I would fly
at once to my own dear Reggie! But, hang it all, Reggie boy, what's the
good of true love if you haven't got the dibs? I MUST have my comforts.
Love in a cottage is all very well in its way; but who's to pay for the
fizz, Reggie?' That's her refinement, don't you see? Sissie's awfully
refined. She was brought up with the tastes and habits of a lady."
"Clearly so," I answered. "Both her literary style and her liking for
champagne abundantly demonstrate it!" His acute sense of humour did not
enable him to detect the irony of my observation. I doubt if it extended
much beyond oyster shells. He handed me the letter. I read it through
with equal amusement and gratification. If Miss Sissie had written it
on purpose in order to open Cecil Holsworthy's eyes, she couldn't have
managed the matter better or more effectually. It breathed ardent love,
tempered by a determination to sell her charms in the best and highest
matrimonial market.
"Now, I know this man, C.," I said when I had finished. "And I want to
ask whether you will let me show him Miss Montague's letter. It would
set him against the girl, who, as a matter of fact, is wholly unwor--I
mean totally unfitted for him."
"Let you show it to him? Like a bird! Why, Sissie promised me herself
that if she couldn't bring 'that solemn ass, C.,' up to the scratch by
Christmas, she'd chuck him and marry me. It's here, in writing." And he
handed me another gem of epistolary literature.
"You have no compunctions?" I asked again, after reading it.
"Not a blessed compunction to my name."
"Then neither have I," I answered.
I felt they both deserved it. Sissie was a minx, as Hilda rightly
judged; while as for Nettlecraft--well, if a public school and an
English university leave a man a cad, a cad he will be, and there is
nothing more to be said about it.
I went straight off with the letters to Cecil Holsworthy. He read them
through, half incredulously at first; he was too honest-natured himself
to believe in the possibility of such double-dealing--that one could
have innocent eyes and golden hair and yet be a trickster. He read them
twice; then he compared them word for word with the simple affection and
childlike tone of his own last letter received from the same lady. Her
versatility of style would have done honour to a practised literary
craftsman. At last he handed them back to me. "Do you think," he said,
"on the evidence of these, I should be doing wrong in breaking with
her?"
"Wrong in breaking with her!" I exclaimed. "You would be doing wrong if
you didn't,--wrong to yourself; wrong to your family; wrong, if I may
venture to say so, to Daphne; wrong even in the long run to the girl
herself; for she is not fitted for you, and she IS fitted for Reggie
Nettlecraft. Now, do as I bid you. Sit down at once and write her a
letter from my dictation."
He sat down and wrote, much relieved that I took the responsibility off
his shoulders.
"DEAR MISS MONTAGUE," I began, "the inclosed letters have come into
my hands without my seeking it. After reading them, I feel that I
have absolutely no right to stand between you and the man of your real
choice. It would not be kind or wise of me to do so. I release you
at once, and consider myself released. You may therefore regard our
engagement as irrevocably cancelled.
"Faithfully yours,
"CECIL HOLSWORTHY."
"Nothing more than that?" he asked, looking up and biting his pen. "Not
a word of regret or apology?"
"Not a word," I answered. "You are really too lenient."
I made him take it out and post it before he could invent conscientious
scruples. Then he turned to me irresolutely. "What shall I do next?" he
asked, with a comical air of doubt.
I smiled. "My dear fellow, that is a matter for your own consideration."
"But--do you think she will laugh at me?"
"Miss Montague?"
"No! Daphne."
"I am not in not in Daphne's confidence," I answered. "I don't know how
she feels. But, on the face of it, I think I can venture to assure you
that at least she won't laugh at you."
He grasped my hand hard. "You don't mean to say so!" he cried. "Well,
that's really very, kind of her! A girl of Daphne's high type! And I,
who feel myself so utterly unworthy of her!"
"We are all unworthy of a good woman's love," I answered. "But, thank
Heaven, the good women don't seem to realise it."
That evening, about ten, my new friend came back in a hurry to my rooms
at St. Nathaniel's. Nurse Wade was standing there, giving her report
for the night when he entered. His face looked some inches shorter and
broader than usual. His eyes beamed. His mouth was radiant.
"Well, you won't believe it, Dr. Cumberledge," he began; "but--"
"Yes, I DO believe it," I answered. "I know it. I have read it already."
"Read it!" he cried. "Where?"
I waved my hand towards his face. "In a special edition of the evening
papers," I answered, smiling. "Daphne has accepted you!"
He sank into an easy chair, beside himself with rapture. "Yes, yes; that
angel! Thanks to YOU, she has accepted me!"
"Thanks to Miss Wade," I said, correcting him. "It is really all HER
doing. If SHE had not seen through the photograph to the face, and
through the face to the woman and the base little heart of her, we might
never have found her out."
He turned to Hilda with eyes all gratitude. "You have given me the
dearest and best girl on earth," he cried, seizing both her hands.
"And I have given Daphne a husband who will love and appreciate her,"
Hilda answered, flushing.
"You see," I said, maliciously; "I told you they never find us out,
Holsworthy!"
As for Reggie Nettlecraft and his wife, I should like to add that they
are getting on quite as well as could be expected. Reggie has joined
his Sissie on the music-hall stage; and all those who have witnessed his
immensely popular performance of the Drunken Gentleman before the Bow
Street Police Court acknowledge without reserve that, after "failing
for everything," he has dropped at last into his true vocation. His
impersonation of the part is said to be "nature itself." I see no reason
to doubt it.