RAFAEL
I sat in the boardroom for ten days in the talk of one of my studio’s biggest film franchises. I initially planned to release the film to PeekFlix when Emilio signed. The premise would be based on the bestselling post-apocalyptic, fantasy, and science fiction book The Zion’s Code Trilogy. The books sold over one hundred million copies worldwide, so Adam suggested I read and consider them for a motion picture. I ended up liking it. With our best directors, scriptwriters, and a set of A-list actors, a big budget, the film should be huge.
Movies our studios had produced were listed as the highest-grossing films so far. We’d gained millions of followers globally, so I had a good feeling about it. So, each creative team and department presented schemes for new film productions, artist
