EpilogueIT is near the end of June, in 1807. The workshops have been shut up half an hour or more in Adam Bede's timber-yard, which used to be Jonathan Burge's, and the mellow evening light is falling on the pleasant house with the buff walls and the soft grey thatch, very much as it did when we saw Adam bringing in the keys on that June evening nine years ago.
There is a figure we know well, just come out of the house, and shading her eyes with her hands as she looks for something in the distance, for the rays that fall on her white borderless cap and her pale auburn hair are very dazzling. But now she turns away from the sunlight and looks towards the door.
We can see the sweet pale face quite well now: it is scarcely at all altered—only a little fuller, to correspond to her more matro
