Nostromo

PART FIRST THE SILVER OF THE MINE-7

Guzman Bento of cruel memory had put to death great numbers of people besides Charles Gould’s uncle; but with a relative martyred in the cause of aristocracy, the Sulaco Oligarchs (this was the phraseology of Guzman Bento’s time; now they were called Blancos, and had given up the federal idea), which meant the families of pure Spanish descent, considered Charles as one of themselves. With such a family record, no one could be more of a Costaguanero than Don Carlos Gould; but his aspect was so characteristic that in the talk of common people he was just the Inglez—the Englishman of Sulaco. He looked more English than a casual tourist, a sort of heretic pilgrim, however, quite unknown in Sulaco. He looked more English than the last arrived batch of young railway engineers, than anybody out of the hunting-field pictures in the numbers of Punch reaching his wife’s drawing-room two months or so after date. It astonished you to hear him talk Spanish (Castillan, as the natives say) or the Indian dialect of the country-people so naturally. His accent had never been English; but there was something so indelible in all these ancestral Goulds—liberators, explorers, coffee planters, merchants, revolutionists—of Costaguana, that he, the only representative of the third generation in a continent possessing its own style of horsemanship, went on looking thoroughly English even on horseback. This is not said of him in the mocking spirit of the Llaneros—men of the great plains—who think that no one in the world knows how to sit a horse but themselves. Charles Gould, to use the suitably lofty phrase, rode like a centaur. Riding for him was not a special form of exercise; it was a natural faculty, as walking straight is to all men sound of mind and limb; but, all the same, when cantering beside the rutty ox-cart track to the mine he looked in his English clothes and with his imported saddlery as though he had come this moment to Costaguana at his easy swift pasotrote, straight out of some green meadow at the other side of the world.

His way would lie along the old Spanish road—the Camino Real of popular speech—the only remaining vestige of a fact and name left by that royalty old Giorgio Viola hated, and whose very shadow had departed from the land; for the big equestrian statue of Charles IV. at the entrance of the Alameda, towering white against the trees, was only known to the folk from the country and to the beggars of the town that slept on the steps around the pedestal, as the Horse of Stone. The other Carlos, turning off to the left with a rapid clatter of hoofs on the disjointed pavement—Don Carlos Gould, in his English clothes, looked as incongruous, but much more at home than the kingly cavalier reining in his steed on the pedestal above the sleeping leperos, with his marble arm raised towards the marble rim of a plumed hat.

The weather-stained effigy of the mounted king, with its vague suggestion of a saluting gesture, seemed to present an inscrutable breast to the political changes which had robbed it of its very name; but neither did the other horseman, well known to the people, keen and alive on his well-shaped, slate-coloured beast with a white eye, wear his heart on the sleeve of his English coat. His mind preserved its steady poise as if sheltered in the passionless stability of private and public decencies at home in Europe. He accepted with a like calm the shocking manner in which the Sulaco ladies smothered their faces with pearl powder till they looked like white plaster casts with beautiful living eyes, the peculiar gossip of the town, and the continuous political changes, the constant “saving of the country,” which to his wife seemed a puerile and bloodthirsty game of murder and rapine played with terrible earnestness by depraved children. In the early days of her Costaguana life, the little lady used to clench her hands with exasperation at not being able to take the public affairs of the country as seriously as the incidental atrocity of methods deserved. She saw in them a comedy of naive pretences, but hardly anything genuine except her own appalled indignation. Charles, very quiet and twisting his long moustaches, would decline to discuss them at all. Once, however, he observed to her gently—

“My dear, you seem to forget that I was born here.” These few words made her pause as if they had been a sudden revelation. Perhaps the mere fact of being born in the country did make a difference. She had a great confidence in her husband; it had always been very great. He had struck her imagination from the first by his unsentimentalism, by that very quietude of mind which she had erected in her thought for a sign of perfect competency in the business of living. Don Jose Avellanos, their neighbour across the street, a statesman, a poet, a man of culture, who had represented his country at several European Courts (and had suffered untold indignities as a state prisoner in the time of the tyrant Guzman Bento), used to declare in Dona Emilia’s drawing-room that Carlos had all the English qualities of character with a truly patriotic heart.

Mrs. Gould, raising her eyes to her husband’s thin, red and tan face, could not detect the slightest quiver of a feature at what he must have heard said of his patriotism. Perhaps he had just dismounted on his return from the mine; he was English enough to disregard the hottest hours of the day. Basilio, in a livery of white linen and a red sash, had squatted for a moment behind his heels to unstrap the heavy, blunt spurs in the patio; and then the Senor Administrator would go up the staircase into the gallery. Rows of plants in pots, ranged on the balustrade between the pilasters of the arches, screened the corredor with their leaves and flowers from the quadrangle below, whose paved space is the true hearthstone of a South American house, where the quiet hours of domestic life are marked by the shifting of light and shadow on the flagstones.

Senor Avellanos was in the habit of crossing the patio at five o’clock almost every day. Don Jose chose to come over at tea-time because the English rite at Dona Emilia’s house reminded him of the time he lived in London as Minister Plenipotentiary to the Court of St. James. He did not like tea; and, usually, rocking his American chair, his neat little shiny boots crossed on the foot-rest, he would talk on and on with a sort of complacent virtuosity wonderful in a man of his age, while he held the cup in his hands for a long time. His close-cropped head was perfectly white; his eyes coalblack.

On seeing Charles Gould step into the sala he would nod provisionally and go on to the end of the oratorial period. Only then he would say—

“Carlos, my friend, you have ridden from San Tome in the heat of the day. Always the true English activity. No? What?”

He drank up all the tea at once in one draught. This performance was invariably followed by a slight shudder and a low, involuntary “br-r-r-r,” which was not covered by the hasty exclamation, “Excellent!”

Then giving up the empty cup into his young friend’s hand, extended with a smile, he continued to expatiate upon the patriotic nature of the San Tome mine for the simple pleasure of talking fluently, it seemed, while his reclining body jerked backwards and forwards in a rocking-chair of the sort exported from the United States. The ceiling of the largest drawing-room of the Casa Gould extended its white level far above his head. The loftiness dwarfed the mixture of heavy, straight-backed Spanish chairs of brown wood with leathern seats, and European furniture, low, and cushioned all over, like squat little monsters gorged to bursting with steel springs and horsehair. There were knick-knacks on little tables, mirrors let into the wall above marble consoles, square spaces of carpet under the two groups of armchairs, each presided over by a deep sofa; smaller rugs scattered all over the floor of red tiles; three windows from the ceiling down to the ground, opening on a balcony, and flanked by the perpendicular folds of the dark hangings. The stateliness of ancient days lingered between the four high, smooth walls, tinted a delicate primrose-colour; and Mrs. Gould, with her little head and shining coils of hair, sitting in a cloud of muslin and lace before a slender mahogany table, resembled a fairy posed lightly before dainty philtres dispensed out of vessels of silver and porcelain.

Mrs. Gould knew the history of the San Tome mine. Worked in the early days mostly by means of lashes on the backs of slaves, its yield had been paid for in its own weight of human bones. Whole tribes of Indians had perished in the exploitation; and then the mine was abandoned, since with this primitive method it had ceased to make a profitable return, no matter how many corpses were thrown into its maw. Then it became forgotten. It was rediscovered after the War of Independence. An English company obtained the right to work it, and found so rich a vein that neither the exactions of successive governments, nor the periodical raids of recruiting officers upon the population of paid miners they had created, could discourage their perseverance. But in the end, during the long turmoil of pronunciamentos that followed the death of the famous Guzman Bento, the native miners, incited to revolt by the emissaries sent out from the capital, had risen upon their English chiefs and murdered them to a man. The decree of confiscation which appeared immediately afterwards in the Diario Official, published in Sta. Marta, began with the words: “Justly incensed at the grinding oppression of foreigners, actuated by sordid motives of gain rather than by love for a country where they come impoverished to seek their fortunes, the mining population of San Tome, etc. . . .” and ended with the declaration: “The chief of the State has resolved to exercise to the full his power of clemency. The mine, which by every law, international, human, and divine, reverts now to the Government as national property, shall remain closed till the sword drawn for the sacred defence of liberal principles has accomplished its mission of securing the happiness of our beloved country.”

And for many years this was the last of the San Tome mine. What advantage that Government had expected from the spoliation, it is impossible to tell now. Costaguana was made with difficulty to pay a beggarly money compensation to the families of the victims, and then the matter dropped out of diplomatic despatches. But afterwards another Government bethought itself of that valuable asset. It was an ordinary Costaguana Government—the fourth in six years—but it judged of its opportunities sanely. It remembered the San Tome mine with a secret conviction of its worthlessness in their own hands, but with an ingenious insight into the various uses a silver mine can be put to, apart from the sordid process of extracting the metal from under the ground. The father of Charles Gould, for a long time one of the most wealthy merchants of Costaguana, had already lost a considerable part of his fortune in forced loans to the successive Governments. He was a man of calm judgment, who never dreamed of pressing his claims; and when, suddenly, the perpetual concession of the San Tome mine was offered to him in full settlement, his alarm became extreme. He was versed in the ways of Governments. Indeed, the intention of this affair, though no doubt deeply meditated in the closet, lay open on the surface of the document presented urgently for his signature. The third and most important clause stipulated that the concession-holder should pay at once to the Government five years’ royalties on the estimated output of the mine.

Mr. Gould, senior, defended himself from this fatal favour with many arguments and entreaties, but without success. He knew nothing of mining; he had no means to put his concession on the European market; the mine as a working concern did not exist. The buildings had been burnt down, the mining plant had been destroyed, the mining population had disappeared from the neighbourhood years and years ago; the very road had vanished under a flood of tropical vegetation as effectually as if swallowed by the sea; and the main gallery had fallen in within a hundred yards from the entrance. It was no longer an abandoned mine; it was a wild, inaccessible, and rocky gorge of the Sierra, where vestiges of charred timber, some heaps of smashed bricks, and a few shapeless pieces of rusty iron could have been found under the matted mass of thorny creepers covering the ground. Mr. Gould, senior, did not desire the perpetual possession of that desolate locality; in fact, the mere vision of it arising before his mind in the still watches of the night had the power to exasperate him into hours of hot and agitated insomnia.