"How delightful!" said Lucy, in a dull voice.
For the sake of something to do, he began to read her the letter. After a few words her eyes grew alert, and soon she interrupted him with "Going abroad? When do they start?"
"Next week, I gather."
"Did Freddy say whether he was driving straight back?"
"No, he didn't."
"Because I do hope he won't go gossiping."
So she did want to talk about her broken engagement. Always complaisant, he put the letter away. But she, at once exclaimed in a high voice, "Oh, do tell me more about the Miss Alans! How perfectly splendid of them to go abroad!"
"I want them to start from Venice, and go in a cargo steamer down the Illyrian coast!"
She laughed heartily. "Oh, delightful! I wish they'd take me."
"Has Italy filled you with the fever of travel? Perhaps George Emerson is right. He says that 'Italy is only an euphuism for Fate.'"
"Oh, not Italy, but Constantinople. I have always longed to go to Constantinople. Constantinople is practically Asia, isn't it?"
Mr. Beebe reminded her that Constantinople was still unlikely, and that the Miss Alans only aimed at Athens, "with Delphi, perhaps, if the roads are safe." But this made no difference to her enthusiasm. She had always longed to go to Greece even more, it seemed. He saw, to his surprise, that she was apparently serious.
"I didn't realize that you and the Miss Alans were still such friends, after Cissie Villa."
"Oh, that's nothing; I assure you Cissie Villa's nothing to me; I would give anything to go with them."
"Would your mother spare you again so soon? You have scarcely been home three months."
"She MUST spare me!" cried Lucy, in growing excitement. "I simply MUST go away. I have to." She ran her fingers hysterically through her hair. "Don't you see that I HAVE to go away? I didn't realize at the time—and of course I want to see Constantinople so particularly."
"You mean that since you have broken off your engagement you feel—"
"Yes, yes. I knew you'd understand."
Mr. Beebe did not quite understand. Why could not Miss Honeychurch repose in the bosom of her family? Cecil had evidently taken up the dignified line, and was not going to annoy her. Then it struck him that her family itself might be annoying. He hinted this to her, and she accepted the hint eagerly.
"Yes, of course; to go to Constantinople until they are used to the idea and everything has calmed down."
"I am afraid it has been a bothersome business," he said gently.
"No, not at all. Cecil was very kind indeed; only—I had better tell you the whole truth, since you have heard a little—it was that he is so masterful. I found that he wouldn't let me go my own way. He would improve me in places where I can't be improved. Cecil won't let a woman decide for herself—in fact, he daren't. What nonsense I do talk! but that is the kind of thing."
"It is what I gathered from my own observation of Mr. Vyse; it is what I gather from all that I have known of you. I do sympathize and agree most profoundly. I agree so much that you must let me make one little criticism: Is it worth while rushing off to Greece?"
"But I must go somewhere!" she cried. "I have been worrying all the morning, and here comes the very thing." She struck her knees with clenched fists, and repeated: "I must! And the time I shall have with mother, and all the money she spent on me last spring. You all think much too highly of me. I wish you weren't so kind." At this moment Miss Bartlett entered, and her nervousness increased. "I must get away, ever so far. I must know my own mind and where I want to go."
"Come along; tea, tea, tea," said Mr. Beebe, and bustled his guests out of the front-door. He hustled them so quickly that he forgot his hat. When he returned for it he heard, to his relief and surprise, the tinkling of a Mozart Sonata.
"She is playing again," he said to Miss Bartlett.
"Lucy can always play," was the acid reply.
"One is very thankful that she has such a resource. She is evidently much worried, as, of course, she ought to be. I know all about it. The marriage was so near that it must have been a hard struggle before she could wind herself up to speak."
Miss Bartlett gave a kind of wriggle, and he prepared for a discussion. He had never fathomed Miss Bartlett. As he had put it to himself at Florence, "she might yet reveal depths of strangeness, if not of meaning." But she was so unsympathetic that she must be reliable. He assumed that much, and he had no hesitation in discussing Lucy with her. Minnie was fortunately collecting ferns.
She opened the discussion with: "We had much better let the matter drop."
"I wonder."
"It is of the highest importance that there should be no gossip in Summer Street. It would be DEATH to gossip about Mr. Vyse's dismissal at the present moment."
Mr. Beebe raised his eyebrows. Death is a strong word—surely too strong. There was no question of tragedy. He said: "Of course, Miss Honeychurch will make the fact public in her own way, and when she chooses. Freddy only told me because he knew she would not mind."
"I know," said Miss Bartlett civilly. "Yet Freddy ought not to have told even you. One cannot be too careful."
"Quite so."
"I do implore absolute secrecy. A chance word to a chattering friend, and—"
"Exactly." He was used to these nervous old maids and to the exaggerated importance that they attach to words. A rector lives in a web of petty secrets, and confidences and warnings, and the wiser he is the less he will regard them. He will change the subject, as did Mr. Beebe, saying cheerfully: "Have you heard from any Bertolini people lately? I believe you keep up with Miss Lavish. It is odd how we of that pension, who seemed such a fortuitous collection, have been working into one another's lives. Two, three, four, six of us—no, eight; I had forgotten the Emersons—have kept more or less in touch. We must really give the Signora a testimonial."
And, Miss Bartlett not favouring the scheme, they walked up the hill in a silence which was only broken by the rector naming some fern. On the summit they paused. The sky had grown wilder since he stood there last hour, giving to the land a tragic greatness that is rare in Surrey. Grey clouds were charging across tissues of white, which stretched and shredded and tore slowly, until through their final layers there gleamed a hint of the disappearing blue. Summer was retreating. The wind roared, the trees groaned, yet the noise seemed insufficient for those vast operations in heaven. The weather was breaking up, breaking, broken, and it is a sense of the fit rather than of the supernatural that equips such crises with the salvos of angelic artillery. Mr. Beebe's eyes rested on Windy Corner, where Lucy sat, practising Mozart. No smile came to his lips, and, changing the subject again, he said: "We shan't have rain, but we shall have darkness, so let us hurry on. The darkness last night was appalling."
They reached the Beehive Tavern at about five o'clock. That amiable hostelry possesses a verandah, in which the young and the unwise do dearly love to sit, while guests of more mature years seek a pleasant sanded room, and have tea at a table comfortably. Mr. Beebe saw that Miss Bartlett would be cold if she sat out, and that Minnie would be dull if she sat in, so he proposed a division of forces. They would hand the child her food through the window. Thus he was incidentally enabled to discuss the fortunes of Lucy.
"I have been thinking, Miss Bartlett," he said, "and, unless you very much object, I would like to reopen that discussion." She bowed. "Nothing about the past. I know little and care less about that; I am absolutely certain that it is to your cousin's credit. She has acted loftily and rightly, and it is like her gentle modesty to say that we think too highly of her. But the future. Seriously, what do you think of this Greek plan?" He pulled out the letter again. "I don't know whether you overheard, but she wants to join the Miss Alans in their mad career. It's all—I can't explain—it's wrong."
Miss Bartlett read the letter in silence, laid it down, seemed to hesitate, and then read it again.
"I can't see the point of it myself."
To his astonishment, she replied: "There I cannot agree with you. In it I spy Lucy's salvation."
"Really. Now, why?"
"She wanted to leave Windy Corner."
"I know—but it seems so odd, so unlike her, so—I was going to say—selfish."
"It is natural, surely—after such painful scenes—that she should desire a change."
Here, apparently, was one of those points that the male intellect misses. Mr. Beebe exclaimed: "So she says herself, and since another lady agrees with her, I must own that I am partially convinced. Perhaps she must have a change. I have no sisters or— and I don't understand these things. But why need she go as far as Greece?"
"You may well ask that," replied Miss Bartlett, who was evidently interested, and had almost dropped her evasive manner. "Why Greece? (What is it, Minnie dear—jam?) Why not Tunbridge Wells? Oh, Mr. Beebe! I had a long and most unsatisfactory interview with dear Lucy this morning. I cannot help her. I will say no more. Perhaps I have already said too much. I am not to talk. I wanted her to spend six months with me at Tunbridge Wells, and she refused."
Mr. Beebe poked at a crumb with his knife.
"But my feelings are of no importance. I know too well that I get on Lucy's nerves. Our tour was a failure. She wanted to leave Florence, and when we got to Rome she did not want to be in Rome, and all the time I felt that I was spending her mother's money—."
"Let us keep to the future, though," interrupted Mr. Beebe. "I want your advice."
"Very well," said Charlotte, with a choky abruptness that was new to him, though familiar to Lucy. "I for one will help her to go to Greece. Will you?"
Mr. Beebe considered.
"It is absolutely necessary," she continued, lowering her veil and whispering through it with a passion, an intensity, that surprised him. "I know—I know." The darkness was coming on, and he felt that this odd woman really did know. "She must not stop here a moment, and we must keep quiet till she goes. I trust that the servants know nothing. Afterwards—but I may have said too much already. Only, Lucy and I are helpless against Mrs. Honeychurch alone. If you help we may succeed. Otherwise—"
"Otherwise—?"
"Otherwise," she repeated as if the word held finality.
"Yes, I will help her," said the clergyman, setting his jaw firm. "Come, let us go back now, and settle the whole thing up."
Miss Bartlett burst into florid gratitude. The tavern sign—a beehive trimmed evenly with bees—creaked in the wind outside as she thanked him. Mr. Beebe did not quite understand the situation; but then, he did not desire to understand it, nor to jump to the conclusion of "another man" that would have attracted a grosser mind. He only felt that Miss Bartlett knew of some vague influence from which the girl desired to be delivered, and which might well be clothed in the fleshly form. Its very vagueness spurred him into knight-errantry. His belief in celibacy, so reticent, so carefully concealed beneath his tolerance and culture, now came to the surface and expanded like some delicate flower. "They that marry do well, but they that refrain do better." So ran his belief, and he never heard that an engagement was broken off but with a slight feeling of pleasure. In the case of Lucy, the feeling was intensified through dislike of Cecil; and he was willing to go further—to place her out of danger until she could confirm her resolution of virginity. The feeling was very subtle and quite undogmatic, and he never imparted it to any other of the characters in this entanglement. Yet it existed, and it alone explains his action subsequently, and his influence on the action of others. The compact that he made with Miss Bartlett in the tavern, was to help not only Lucy, but religion also.
They hurried home through a world of black and grey. He conversed on indifferent topics: the Emersons' need of a housekeeper; servants; Italian servants; novels about Italy; novels with a purpose; could literature influence life? Windy Corner glimmered. In the garden, Mrs. Honeychurch, now helped by Freddy, still wrestled with the lives of her flowers.
"It gets too dark," she said hopelesly. "This comes of putting off. We might have known the weather would break up soon; and now Lucy wants to go to Greece. I don't know what the world's coming to."
"Mrs. Honeychurch," he said, "go to Greece she must. Come up to the house and let's talk it over. Do you, in the first place, mind her breaking with Vyse?"
"Mr. Beebe, I'm thankful—simply thankful."
"So am I," said Freddy.
"Good. Now come up to the house."
They conferred in the dining-room for half an hour.
Lucy would never have carried the Greek scheme alone. It was expensive and dramatic—both qualities that her mother loathed. Nor would Charlotte have succeeded. The honours of the day rested with Mr. Beebe. By his tact and common sense, and by his influence as a clergyman—for a clergyman who was not a fool influenced Mrs. Honeychurch greatly—he bent her to their purpose, "I don't see why Greece is necessary," she said; "but as you do, I suppose it is all right. It must be something I can't understand. Lucy! Let's tell her. Lucy!"
"She is playing the piano," Mr. Beebe said. He opened the door, and heard the words of a song:
"Look not thou on beauty's charming."
"I didn't know that Miss Honeychurch sang, too."
"Sit thou still when kings are arming, Taste not when the wine-cup glistens—"
"It's a song that Cecil gave her. How odd girls are!"
"What's that?" called Lucy, stopping short.
"All right, dear," said Mrs. Honeychurch kindly. She went into the drawing-room, and Mr. Beebe heard her kiss Lucy and say: "I am sorry I was so cross about Greece, but it came on the top of the dahlias."
Rather a hard voice said: "Thank you, mother; that doesn't matter a bit."
"And you are right, too—Greece will be all right; you can go if the Miss Alans will have you."
"Oh, splendid! Oh, thank you!"
Mr. Beebe followed. Lucy still sat at the piano with her hands over the keys. She was glad, but he had expected greater gladness. Her mother bent over her. Freddy, to whom she had been singing, reclined on the floor with his head against her, and an unlit pipe between his lips. Oddly enough, the group was beautiful. Mr. Beebe, who loved the art of the past, was reminded of a favourite theme, the Santa Conversazione, in which people who care for one another are painted chatting together about noble things—a theme neither sensual nor sensational, and therefore ignored by the art of to-day. Why should Lucy want either to marry or to travel when she had such friends at home?
"Taste not when the wine-cup glistens, Speak not when the people listens,"
she continued.
"Here's Mr. Beebe."
"Mr. Beebe knows my rude ways."
"It's a beautiful song and a wise one," said he. "Go on."
"It isn't very good," she said listlessly. "I forget why—harmony or something."
"I suspected it was unscholarly. It's so beautiful."
"The tune's right enough," said Freddy, "but the words are rotten. Why throw up the sponge?"
"How stupidly you talk!" said his sister. The Santa Conversazione was broken up. After all, there was no reason that Lucy should talk about Greece or thank him for persuading her mother, so he said good-bye.
Freddy lit his bicycle lamp for him in the porch, and with his usual felicity of phrase, said: "This has been a day and a half."
"Stop thine ear against the singer—"
"Wait a minute; she is finishing."
"From the red gold keep thy finger; Vacant heart and hand and eye Easy live and quiet die."
"I love weather like this," said Freddy.
Mr. Beebe passed into it.
The two main facts were clear. She had behaved splendidly, and he had helped her. He could not expect to master the details of so big a change in a girl's life. If here and there he was dissatisfied or puzzled, he must acquiesce; she was choosing the better part.
"Vacant heart and hand and eye—"
Perhaps the song stated "the better part" rather too strongly. He half fancied that the soaring accompaniment—which he did not lose in the shout of the gale—really agreed with Freddy, and was gently criticizing the words that it adorned:
"Vacant heart and hand and eye Easy live and quiet die."
However, for the fourth time Windy Corner lay poised below him— now as a beacon in the roaring tides of darkness.