When you visit our website, if you give your consent, we will use cookies to allow us to collect data for aggregated statistics to improve our service and remember your choice for future visits. Cookie Policy & Privacy Policy
Dear Reader, we use the permissions associated with cookies to keep our website running smoothly and to provide you with personalized content that better meets your needs and ensure the best reading experience. At any time, you can change your permissions for the cookie settings below.
If you would like to learn more about our Cookie, you can click on Privacy Policy.
In the triangular space at the top of the arch is a representation of our Lord on the cross; St. Mary and St. John standing on either side of him, and, kneeling on one knee under the sloping sides of the arch, two angels, one on each side. I very much wish I could say something more about this piece of carving than I can do, because it seems to me that the French thirteenth century sculptors failed less in their representations of the crucifixion than almost any set of artists; though it was certainly an easier thing to do in stone than on canvas, especially in such a case as this where the representation is so highly abstract; nevertheless, I wish I could say something more about it; failing which, I will say something about my photograph of it. I cannot see the Virgin’s face at all, it