In the centre of the picture was a great irregular patch of brown canvas, as fresh as when it was stretched on the frame. The background was as before, with chair and chimney-corner and rope, but the figure of the Judge had disappeared.
Malcolmson, almost in a chill of horror, turned slowly round, and then he began to shake and tremble like a man in a palsy. His strength seemed to have left him, and he was incapable of action or movement, hardly even of thought. He could only see and hear.
There, on the great high-backed carved oak chair sat the Judge in his robes of scarlet and ermine, with his baleful eyes glaring vindictively, and a smile of triumph on the resolute, cruel mouth, as he lifted with his hands a black cap. Malcolmson felt as if the blood was running from his heart, as one does in moments of prolonged suspense. There was a singing in his ears. Without, he could hear the roar and howl of the tempest, and through it, swept on the storm, came the striking of midnight by the great chimes in the market place. He stood for a space of time that seemed to him endless still as a statue, and with wide-open, horror-struck eyes, breathless. As the clock struck, so the smile of triumph on the Judge’s face intensified, and at the last stroke of midnight he placed the black cap on his head.
Slowly and deliberately the Judge rose from his chair and picked up the piece of the rope of the alarm bell which lay on the floor, drew it through his hands as if he enjoyed its touch, and then deliberately began to knot one end of it, fashioning it into a noose. This he tightened and tested with his foot, pulling hard at it till he was satisfied and then making a running noose of it, which he held in his hand. Then he began to move along the table on the opposite side to Malcolmson keeping his eyes on him until he had passed him, when with a quick movement he stood in front of the door. Malcolmson then began to feel that he was trapped, and tried to think of what he should do. There was some fascination in the Judge’s eyes, which he never took off him, and he had, perforce, to look. He saw the Judge approach—still keeping between him and the door—and raise the noose and throw it towards him as if to entangle him. With a great effort he made a quick movement to one side, and saw the rope fall beside him, and heard it strike the oaken floor. Again the Judge raised the noose and tried to ensnare him, ever keeping his baleful eyes fixed on him, and each time by a mighty effort the student just managed to evade it. So this went on for many times, the Judge seeming never discouraged nor discomposed at failure, but playing as a cat does with a mouse. At last in despair, which had reached its c****x, Malcolmson cast a quick glance round him. The lamp seemed to have blazed up, and there was a fairly good light in the room. At the many rat-holes and in the c****s and crannies of the wainscot he saw the rats’ eyes; and this aspect, that was purely physical, gave him a gleam of comfort. He looked around and saw that the rope of the great alarm bell was laden with rats. Every inch of it was covered with them, and more and more were pouring through the small circular hole in the ceiling whence it emerged, so that with their weight the bell was beginning to sway.
Hark! it had swayed till the clapper had touched the bell. The sound was but a tiny one, but the bell was only beginning to sway, and it would increase.
At the sound the Judge, who had been keeping his eyes fixed on Malcolmson, looked up, and a scowl of diabolical anger overspread his face. His eyes fairly glowed like hot coals, and he stamped his foot with a sound that seemed to make the house shake. A dreadful peal of thunder broke overhead as he raised the rope again, whilst the rats kept running up and down the rope as though working against time. This time, instead of throwing it, he drew close to his victim, and held open the noose as he approached. As he came closer there seemed something paralysing in his very presence, and Malcolmson stood rigid as a corpse. He felt the Judge’s icy fingers touch his throat as he adjusted the rope. The noose tightened—tightened. Then the Judge, taking the rigid form of the student in his arms, carried him over and placed him standing in the oak chair, and stepping up beside him, put his hand up and caught the end of the swaying rope of the alarm bell. As he raised his hand the rats fled squeaking, and disappeared through the hole in the ceiling. Taking the end of the noose which was round Malcolmson’s neck he tied it to the hanging-bell rope, and then descending pulled away the chair.
When the alarm bell of the Judge’s House began to sound a crowd soon assembled. Lights and torches of various kinds appeared, and soon a silent crowd was hurrying to the spot. They knocked loudly at the door, but there was no reply. Then they burst in the door, and poured into the great dining-room, the doctor at the head.
There at the end of the rope of the great alarm bell hung the body of the student, and on the face of the Judge in the picture was a malignant smile.
H.G. Wells
HERBERT GEORGE WELLS (September 21, 1866 – August 13, 1946), better known as H. G. Wells, was an English author of science fiction novels such as The Time Machine, The War of the Worlds, The Invisible Man, and The Island of Doctor Moreau. H.G. Wells is often considered to be remarkable for his ability to accurately forecast a number of technological and scientific developments, including the invention of the atomic bomb. Wells was a master prose stylist, and his novels are well-regarded not only because they provide insights into science and society, but also because they are easy and entertaining to read.
Wells was a prolific writer of both fiction and non-fiction, producing works in many different genres, including contemporary novels, history, and social commentary. He was also an outspoken socialist. His later works become increasingly political and didactic, and only his early science fiction novels are widely read today. Wells, along with Hugo Gernsback and Jules Verne, is sometimes referred to as "The Father of Science Fiction," as it is almost impossible to imagine science fiction without Wells' contributions.
The Time Machine––––––––