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The Woman in White

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Wilkie Collins’ fifth published novel, The Woman in White caused unprecedented excitement when it appeared in 1859 and has not lost its capacity to thrill. It is arguably the author’s masterpiece and is widely regarded to be among the first mystery novels, as well as one of the first and finest in the genre of “sensation novels.”

A tale of love, marriage, betrayal and mistrust, the gripping story is unraveled through diaries, first-hand accounts, and different points of view. The Woman In White recently came in at number 23 in an Observer newspaper poll of the top 100 greatest novels of all time.

“One of the thousand novels everyone must read... the greatest and most inspirational of the Victorian sensation novels.” The Guardian.

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Chapter 1
THE STORY BEGUN BY WALTER HARTRIGHT (of Clement's Inn, Teacher of Drawing)–––––––– This is the story of what a Woman's patience can endure, and what a Man's resolution can achieve. If the machinery of the Law could be depended on to fathom every case of suspicion, and to conduct every process of inquiry, with moderate assistance only from the lubricating influences of oil of gold, the events which fill these pages might have claimed their share of the public attention in a Court of Justice. But the Law is still, in certain inevitable cases, the pre-engaged servant of the long purse; and the story is left to be told, for the first time, in this place. As the Judge might once have heard it, so the Reader shall hear it now. No circumstance of importance, from the beginning to the end of the disclosure, shall be related on hearsay evidence. When the writer of these introductory lines (Walter Hartright by name) happens to be more closely connected than others with the incidents to be recorded, he will describe them in his own person. When his experience fails, he will retire from the position of narrator; and his task will be continued, from the point at which he has left it off, by other persons who can speak to the circumstances under notice from their own knowledge, just as clearly and positively as he has spoken before them. Thus, the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness—with the same object, in both cases, to present the truth always in its most direct and most intelligible aspect; and to trace the course of one complete series of events, by making the persons who have been most closely connected with them, at each successive stage, relate their own experience, word for word. Let Walter Hartright, teacher of drawing, aged twenty-eight years, be heard first.

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