The whitewashed brick served as the perfect background for the black mural of an eagle with its wings spread, peering over its left shoulder, perched on a wreath of oak leaves containing a swastika in its centre. The image filled one wall of the converted garage that contained four rows of six plastic chairs and a table. Hanging behind the table were two identical flags, the pole of one crossed over the other. These red banners with a white circle in the middle, containing a black swastika, echoed the recurrent symbol of the room. Slogans from the 1930s disgraced the brickwork, such as the repetitive Sieg Heil!, Hail Victory!, garlanding hateful quotations under the large portrait of the Führer—Certainly, the Jew is also a man, but the flea is also an animal— which indicated the cultural d
