Now Mr. May's mind, though quick, was pedestrian, not winged. He had come to Woodhouse not to look at Jordan's "Empire," but at the temporary wooden structure that stood in the old Cattle Market "Wright's Cinematograph and Variety Theatre." Wright's was not a superior show, like the Woodhouse Empire. Yet it was always packed with colliers and work-lasses. But unfortunately there was no chance of Mr. May's getting a finger in the Cattle Market pie. Wright's was a family affair. Mr. and Mrs. Wright and a son and two daughters with their husbands: a tight old lock-up family concern. Yet it was the kind of show that appealed to Mr. May: pictures between the turns. The cinematograph was but an item in the program, amidst the more thrilling incidents—to Mr. May—of conjurors, popular songs, five-
