Victorian Detectives Multipack - The Moonstone, Bleak House, Lady Molly of Scotland Yard and More (26 books total, 190 illustrations, essays, audio links)

VI-2

"Where did you say the wind was, Rick?" asked Mr. Jarndyce.

"In the north as we came down, sir."

"You are right. There's no east in it. A mistake of mine. Come, girls, come and see your home!"

It was one of those delightfully irregular houses where you go up and down steps out of one room into another, and where you come upon more rooms when you think you have seen all there are, and where there is a bountiful provision of little halls and passages, and where you find still older cottage-rooms in unexpected places with lattice windows and green growth pressing through them. Mine, which we entered first, was of this kind, with an up-and-down roof that had more corners in it than I ever counted afterwards and a chimney (there was a wood fire on the hearth) paved all around with pure white tiles, in every one of which a bright miniature of the fire was blazing. Out of this room, you went down two steps into a charming little sitting-room looking down upon a flower-garden, which room was henceforth to belong to Ada and me. Out of this you went up three steps into Ada's bedroom, which had a fine broad window commanding a beautiful view (we saw a great expanse of darkness lying underneath the stars), to which there was a hollow window-seat, in which, with a spring-lock, three dear Adas might have been lost at once. Out of this room you passed into a little gallery, with which the other best rooms (only two) communicated, and so, by a little staircase of shallow steps with a number of corner stairs in it, considering its length, down into the hall. But if instead of going out at Ada's door you came back into my room, and went out at the door by which you had entered it, and turned up a few crooked steps that branched off in an unexpected manner from the stairs, you lost yourself in passages, with mangles in them, and three-cornered tables, and a native Hindu chair, which was also a sofa, a box, and a bedstead, and looked in every form something between a bamboo skeleton and a great bird-cage, and had been brought from India nobody knew by whom or when. From these you came on Richard's room, which was part library, part sitting-room, part bedroom, and seemed indeed a comfortable compound of many rooms. Out of that you went straight, with a little interval of passage, to the plain room where Mr. Jarndyce slept, all the year round, with his window open, his bedstead without any furniture standing in the middle of the floor for more air, and his cold bath gaping for him in a smaller room adjoining. Out of that you came into another passage, where there were back-stairs and where you could hear the horses being rubbed down outside the stable and being told to "Hold up" and "Get over," as they slipped about very much on the uneven stones. Or you might, if you came out at another door (every room had at least two doors), go straight down to the hall again by half-a-dozen steps and a low archway, wondering how you got back there or had ever got out of it.

The furniture, old-fashioned rather than old, like the house, was as pleasantly irregular. Ada's sleeping-room was all flowers—in chintz and paper, in velvet, in needlework, in the brocade of two stiff courtly chairs which stood, each attended by a little page of a stool for greater state, on either side of the fire-place. Our sitting-room was green and had framed and glazed upon the walls numbers of surprising and surprised birds, staring out of pictures at a real trout in a case, as brown and shining as if it had been served with gravy; at the death of Captain Cook; and at the whole process of preparing tea in China, as depicted by Chinese artists. In my room there were oval engravings of the months—ladies haymaking in short waists and large hats tied under the chin, for June; smooth-legged noblemen pointing with c****d-hats to village steeples, for October. Half-length portraits in crayons abounded all through the house, but were so dispersed that I found the brother of a youthful officer of mine in the china-closet and the grey old age of my pretty young bride, with a flower in her bodice, in the breakfast-room. As substitutes, I had four angels, of Queen Anne's reign, taking a complacent gentleman to heaven, in festoons, with some difficulty; and a composition in needlework representing fruit, a kettle, and an alphabet. All the movables, from the wardrobes to the chairs and tables, hangings, glasses, even to the pincushions and scent-bottles on the dressing-tables, displayed the same quaint variety. They agreed in nothing but their perfect neatness, their display of the whitest linen, and their storing-up, wheresoever the existence of a drawer, small or large, rendered it possible, of quantities of rose-leaves and sweet lavender. Such, with its illuminated windows, softened here and there by shadows of curtains, shining out upon the starlight night; with its light, and warmth, and comfort; with its hospitable jingle, at a distance, of preparations for dinner; with the face of its generous master brightening everything we saw; and just wind enough without to sound a low accompaniment to everything we heard, were our first impressions of Bleak House.

"I am glad you like it," said Mr. Jarndyce when he had brought us round again to Ada's sitting-room. "It makes no pretensions, but it is a comfortable little place, I hope, and will be more so with such bright young looks in it. You have barely half an hour before dinner. There's no one here but the finest creature upon earth—a child."

"More children, Esther!" said Ada.

"I don't mean literally a child," pursued Mr. Jarndyce; "not a child in years. He is grown up—he is at least as old as I am—but in simplicity, and freshness, and enthusiasm, and a fine guileless inaptitude for all worldly affairs, he is a perfect child."

We felt that he must be very interesting.

"He knows Mrs. Jellyby," said Mr. Jarndyce. "He is a musical man, an amateur, but might have been a professional. He is an artist too, an amateur, but might have been a professional. He is a man of attainments and of captivating manners. He has been unfortunate in his affairs, and unfortunate in his pursuits, and unfortunate in his family; but he don't care—he's a child!"

"Did you imply that he has children of his own, sir?" inquired Richard.

"Yes, Rick! Half-a-dozen. More! Nearer a dozen, I should think. But he has never looked after them. How could he? He wanted somebody to look after HIM. He is a child, you know!" said Mr. Jarndyce.

"And have the children looked after themselves at all, sir?" inquired Richard.

"Why, just as you may suppose," said Mr. Jarndyce, his countenance suddenly falling. "It is said that the children of the very poor are not brought up, but dragged up. Harold Skimpole's children have tumbled up somehow or other. The wind's getting round again, I am afraid. I feel it rather!"

Richard observed that the situation was exposed on a sharp night.

"It IS exposed," said Mr. Jarndyce. "No doubt that's the cause. Bleak House has an exposed sound. But you are coming my way. Come along!"

Our luggage having arrived and being all at hand, I was dressed in a few minutes and engaged in putting my worldly goods away when a maid (not the one in attendance upon Ada, but another, whom I had not seen) brought a basket into my room with two bunches of keys in it, all labelled.

"For you, miss, if you please," said she.

"For me?" said I.

"The housekeeping keys, miss."

I showed my surprise, for she added with some little surprise on her own part, "I was told to bring them as soon as you was alone, miss. Miss Summerson, if I don't deceive myself?"

"Yes," said I. "That is my name."

"The large bunch is the housekeeping, and the little bunch is the cellars, miss. Any time you was pleased to appoint to-morrow morning, I was to show you the presses and things they belong to."

I said I would be ready at half-past six, and after she was gone, stood looking at the basket, quite lost in the magnitude of my trust. Ada found me thus and had such a delightful confidence in me when I showed her the keys and told her about them that it would have been insensibility and ingratitude not to feel encouraged. I knew, to be sure, that it was the dear girl's kindness, but I liked to be so pleasantly cheated.

When we went downstairs, we were presented to Mr. Skimpole, who was standing before the fire telling Richard how fond he used to be, in his school-time, of football. He was a little bright creature with a rather large head, but a delicate face and a sweet voice, and there was a perfect charm in him. All he said was so free from effort and spontaneous and was said with such a captivating gaiety that it was fascinating to hear him talk. Being of a more slender figure than Mr. Jarndyce and having a richer complexion, with browner hair, he looked younger. Indeed, he had more the appearance in all respects of a damaged young man than a well-preserved elderly one. There was an easy negligence in his manner and even in his dress (his hair carelessly disposed, and his neckkerchief loose and flowing, as I have seen artists paint their own portraits) which I could not separate from the idea of a romantic youth who had undergone some unique process of depreciation. It struck me as being not at all like the manner or appearance of a man who had advanced in life by the usual road of years, cares, and experiences.

I gathered from the conversation that Mr. Skimpole had been educated for the medical profession and had once lived, in his professional capacity, in the household of a German prince. He told us, however, that as he had always been a mere child in point of weights and measures and had never known anything about them (except that they disgusted him), he had never been able to prescribe with the requisite accuracy of detail. In fact, he said, he had no head for detail. And he told us, with great humour, that when he was wanted to bleed the prince or physic any of his people, he was generally found lying on his back in bed, reading the newspapers or making fancy-sketches in pencil, and couldn't come. The prince, at last, objecting to this, "in which," said Mr. Skimpole, in the frankest manner, "he was perfectly right," the engagement terminated, and Mr. Skimpole having (as he added with delightful gaiety) "nothing to live upon but love, fell in love, and married, and surrounded himself with rosy cheeks." His good friend Jarndyce and some other of his good friends then helped him, in quicker or slower succession, to several openings in life, but to no purpose, for he must confess to two of the oldest infirmities in the world: one was that he had no idea of time, the other that he had no idea of money. In consequence of which he never kept an appointment, never could transact any business, and never knew the value of anything! Well! So he had got on in life, and here he was! He was very fond of reading the papers, very fond of making fancy-sketches with a pencil, very fond of nature, very fond of art. All he asked of society was to let him live. THAT wasn't much. His wants were few. Give him the papers, conversation, music, mutton, coffee, landscape, fruit in the season, a few sheets of Bristol-board, and a little claret, and he asked no more. He was a mere child in the world, but he didn't cry for the moon. He said to the world, "Go your several ways in peace! Wear red coats, blue coats, lawn sleeves; put pens behind your ears, wear aprons; go after glory, holiness, commerce, trade, any object you prefer; only—let Harold Skimpole live!"