The FirebirdUpdated at Jan 9, 2024, 18:05
The Firebird1910 ballet by Igor StravinskyThe Firebird (French: L'Oiseau de feu; Russian: Жар-птица, romanized: Zhar-ptitsa) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. The Firebird was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev-Stravinsky collaborations like Petrushka (1911) and The Rite of Spring (1913).This article is about the ballet to Stravinsky's 1910 music. For other uses of the word, see Firebird.Quick Facts L'Oiseau de feu The Firebird, Native title ...The Firebird's mortal and supernatural elements are distinguished with a system of leitmotifs placed in the harmony dubbed "leit-harmony". Stravinsky made a point to use many unique effects in the orchestra, including with ponticello, col legno, flautando, glissando, and fluttertongue. Set in the evil immortal Koschei's castle, the ballet follows Prince Ivan, who battles Koschei with the help of the magical Firebird.Stravinsky later created three concert suites: in 1911, ending with the "Infernal Dance"; in 1919, which remains the most popular today; and in 1945, featuring significant reorchestration and structural changes. Other choreographers have staged the work with Fokine's original choreography or created entirely new productions using the music, some with different settings or themes from the original. Many recordings of the suites have been made, the first being released in 1928 using the 1911 suite. A film version of the popular Sadler's Wells Ballet production, which revived Fokine's original choreography, was created in 1959.HistoryBackgroundIgor Stravinsky, c. 1920sIgor Stravinsky began studying composition with Nikolai Rimsky-Korsakov in 1902. He completed several works during his time as a student, including his first performed work, Pastorale (1907), and his first published work, the Symphony in E-flat (1907), which the composer categorized Opus 1. In February 1909, a performance of his Scherzo fantastique and Feu d'artifice in Saint Petersburg was attended by the impresario Sergei Diaghilev, who was intrigued by the vividness of Stravinsky's works.Diaghilev founded the art magazine Mir iskusstva in 1898, but after it ended publication in 1904, he turned towards Paris for artistic opportunities rather than his native Russia. In 1907, Diaghilev presented a five-concert series of Russian music at the Paris Opera; the next year, he staged the Paris premiere of Rimsky-Korsakov's version of Boris Godunov. By 1909, Diaghilev had connected with Michel Fokine, Léon Bakst, and Alexandre Benois, and gained enough money to start his independent ballet company, the Ballets Russes. Diaghilev commissioned Stravinsky to orchestrate music by Chopin for the ballet Les Sylphides, and the composer was finished by March 1909.Fokine was a renowned dancer, receiving first prize in his class upon graduation from the Imperial Theatre School in 1898; he subsequently entered the Mariinsky Ballet as a soloist and was promoted to lead dancer of the company in 1904. Fokine was dissatisfied with the ballet tradition of glamorous appeals to the audience and interruptions from viewers; he felt that dramatic dance should be strictly displayed with no interruption of illusion, and that the music should be closely connected to the theme. His 1907 ballets The Dying Swan and Les Sylphides were very successful and established Fokine as a competitor to other prominent choreographers. In 1908, Benois, a member of Diaghilev's Mir iskusstva circle and friend of Fokine's, arranged for the dancer to prepare a repertoire for the Ballets Russes' 1909 season as the company's first lead choreographer; the season was very successful, and Diaghilev began organizing plans for the 1910 season soon after.ConceptionAs the Ballets Russes faced financial issues, Diaghilev wanted a new ballet with distinctly Russian music and design, something that had recently become popular with French and other Western audiences. Fokine unofficially led a committee of artists to devise the scenario of this new ballet, including himself, Benois, the composer Nikolai Tcherepnin, and the painter Aleksandr Golovin. Benois recalled that Pyotr Petrovich Potyomkin, a poet and ballet enthusiast in Diaghilev's circle, proposed the subject of the Firebird to the artists, citing the 1844 poem "A Winter's Journey" by Yakov Polonsky that includes the lines:And in my dreams I see myself on a wolf's backRiding along a forest pathTo do battle with a sorcerer-tsarIn that land where a princess sits under lock and key,Pining behind massi