What do a shy French-horn-playing accountant and a single dad trans trumpet player have in common other than both being members of the community orchestra at Theatr Fach in the little town of Llanbaruc?<br><br>Gethin’s been more or less hiding from life since his marriage broke up a couple of years ago. He joined the orchestra because his sister told him he needed a hobby rather than sitting at home brooding about his divorce.<br><br>Martin is careful who he dates because of his gender and his teenage daughter. He came to Llanbaruc as a stage manager for the Theatr Fach twelve years ago. He has a good set of friends here. Shannon’s a good kid. They’re a team.<br><br>Martin and Gethin hit it off. Will their mutual baggage prove too much to sustain a relationship?

It’s 1947. George is going through the motions, sowing seeds and tending plants and harvesting crops. The nursery went on without him perfectly well during the war and he spends a lot of time during the working day hiding from people and working on his own. In the evening he prowls round the place looking for odd jobs to do.<br><br>It’s been a long, cold winter and Peter doesn’t think he’ll ever get properly warm or clean again. Finding a place with heated greenhouses and plenty of nooks and crannies to kip in while he’s recovering from nasty flu was an enormous stroke of luck. He’s been here a few days now. The weather is beginning to warm up and he’s just realised there’s a huge reservoir of water in one of the greenhouses they use to water the plants. He’s become obsessed with getting in and having an all-over wash.<br><br>What will George do when he finds a scraggy ex-soldier bathing in his reservoir? What will Peter do? Is it time for them to both stop running from the past and settle down?

Queer British Lovecraftian historical romantic suspense set in 1920s London.<br><br>Lew Tyler is dragged from 2016 to 1920 by an accident with border magic whilst he’s searching for his missing friend. He’s struggling to get to grips with life a century before he was born. Detective Alec Carter is trying to solve gruesome murders in his patch of London, weighed down with exhaustion and a jaded attitude to most of his fellow humans after four years of war. In the middle of a murder investigation that involves wild magic, mysterious creatures and illegal sexual desire, will Alec and Lew work out who is safe to trust?<br><br>Sergeant Will Grant, Alec’s right-hand man, is drawn to the mysterious Fenn. Is Fenn a man or a woman? Does Will care? And Fenn ... Fenn has a secret. They live beyond the border between 1920s London and the magical Outlands and they need to get home. Are they prepared to achieve that by double crossing Alec, Will, and Lew?<br><br>Two couples hold the fabric of reality in their hands. Will it make them or break them? Contains the stories: <i>Lost in Time, Shadows on the Border,</i> and <i>The Hunted and the Hind</i>.

Alex has never quite believed he's good enough. Not as a person and not as a lighting technician. He hates that however hard he tries he can’t get his boss, Luke, to like him. In the two years he’s been in the job it’s become a Thing with him and he’s got a huge crush on the man. He needs to move on for his own sanity and his career and he’s just about to accept a job at a bigger theatre when one of the volunteers he’s bedded and dumped pushes him off a ladder.<br><br>Luke likes Alex a lot and has done since the day he walked through the door of Theatre Fawr two years ago. He doesn’t date his staff though, or do casual, and Alex is the epitome of casual. So Luke keeps his distance despite Alex’s constant flirting.<br><br>Will Alex’s injury give Alex and Luke the push they need to open up to each other? Or will Luke’s inadvertent discovery that Alex has a secret job offer push them further apart?

Sequel to <i>The Fog of War</i><br><br>Village nurse Walter Kennett is content with his makeshift found-family in tiny Bradfield. However, one midsummer morning a body is found floating in the village duck pond, dead by magical means.<br><br>Detective Simon Frost arrives in Bradfield to investigate an inexplicable murder. The evidence seems to point to Lucille Hall-Bridges, who lives with Doctor Sylvia Marks and Walter Kennett at Courtfield House. Simon isn’t happy -- he doesn’t believe Lucy is a murderer, but he’s sure the three of them are hiding something. In the meantime, the draw he feels toward Walter takes him by surprise.<br><br>Walter is in a dilemma, concealing Sylvia and Lucy’s relationship and not knowing how much to tell Frost about the paranormal possibilities of the murder. He isn’t interested in going to bed with anyone -- he’s got a complicated life and has to know someone really well before he falls between the sheets. He’s taken aback by his own attraction to Detective Frost and is angry when Frost appears to twist the spark between them to something transactional in nature.<br><br>Will Walter be satisfied to stay on the periphery of Lucy and Sylvia’s love affair, a welcome friend but never quite included? Or is it time for him to strike out and embark on a relationship of his own?

It's 1972. Fifteen years earlier, teenage Laurie Henshaw came to live at Webber's Farm with his elderly uncle and settled in to the farming life. Now thirty-two, Laurie has a stroke in the middle of working on the farm. As he recovers, he has to come to terms with the fact that some of his new limitations are permanent and he's never going to be as active as he used to be. Will he be able to accept the helping hands his friends extend to him?<br><br>With twenty successful years in the city behind him, Phil McManus is hiding in the country after his boyfriend set him up to take the fall for an insider trading deal at his London stockbroking firm. There's not enough evidence to prosecute anyone, but not enough to clear him, either. He can't bear the idea of continuing his old stagnating life in the city or going back to his job now everyone knows he's gay.<br><br>Thrown together in a small country village, can Phil and Laurie forge a new life that suits the two of them and the makeshift family who gathers round them? Or are they too tied up in their own shortcomings to recognise what they have?

The quiet village of Bradfield should offer Dr Sylvia Marks the refuge she seeks when she returns home from her time in a field hospital in France in 1918. However, she is still haunted by the disappearance of her lover, ambulance driver Anna Masters, two years previously. Settling back in as the village doctor alone in her large family house is more difficult than she realised it would be after the excitement of front-line medicine. Then curious events at a local farm, mysterious lights, and a hallucinating patient’s strange illness make her revisit her assessment of Anna’s death on the battlefield.<br><br>Lucille Hall-Bridges is at a loose end now her nursing work is finished. Her Mama and Papa are perfectly happy for her to pursue any or no career or social round; but she felt useful as a nurse and now she really doesn’t know what to do with her life. She hopes going to stay with her friend Sylvia for a while will help her find a way forward. And if that involves staying at Bradfield with Sylvia ... then that’s fine with her.<br><br>But Sylvia is still focused on finding out what happened to her very good friend Anna three years ago; and the unbelievable events at a local farm over the course of the last year don’t seem to have helped her let that go.<br><br>Will the arrival of Lucy in Bradfield be the catalyst that allows both women to put their wartime stresses to rest? Can Sylvia move on from her love affair with Anna and find happiness again with Lucy, or is she still too entwined in the unresolved endings of the past?<br><br>NOTE: This story contains mention of domestic violence that happens to side characters off-screen.

Sequel to Shadows on the Border Inadvertently tumbling through the border after Fenn and then thrown into the middle of the internecine political disputes of their people, Sergeant Will Grant of the Metropolitan Police has spent three months in prison in the Underhalls of the Frem. When Fenn comes to free him and return him home through the border, he has very little time to work out what’s going on before the sudden appearance of Fenn’s missing younger sibling Keren throws Fenn for a loop. Instead of returning them to London as planned, the trio step through the border to the Egyptian desert. Once they work out where they are, it’s a two week trip back to England with the possibility of pursuit both onboard ship and when they reach home. Will the journey give Fenn and Will time to resolve the feelings they have been dancing around since the day they met? How will they keep Keren from recapture by the faction who tried to persuade Fenn they were dead? And has Will’s friend Alec forgiven Fenn for lying about their motives when they first traveled to London four months ago?

It's the summer of 1967 and the Sexual Offences Act has just decriminalized consensual gay sex in private between two men over twenty-one. Percy Wright and his friend Les Barker have both taken temporary jobs teaching English as a foreign language in London during their long summer break from teaching at a rural boarding school near Oxford. Percy is keen to soak up some theatre, music, and general culture, whilst Les is also keen to experience the varied gay social scene. When Les picks up a man called Phil at the box office of the Albert Hall when he goes to buy tickets to a Promenade Concert, Percy inadvertently gets thrown together with Adrian Framlingham, Phil’s friend. Adrian is all the things Percy likes in a man -- funny, kind and steady. When Les gets hurt, Percy turns to Adrian for support, but as the end of the summer looms it seems as if their affair will come to a natural end. What will happen when Percy goes back to his everyday life as a house-master? Will he and Adrian stay in touch? Does he even want a long-distance relationship when arranging to meet someone for sex is still illegal, even if the act itself is not? Trigger warning: A secondary character suffers an off-screen sexual assault.

Jones is determined to find out what caused the unexpected death of her father whilst they were exploring ancient ruins in the Himalayas. Along with a stack of books and coded journals, he's left her with the promise she'll travel back to England for the first time since childhood and try being the lady she's never been. Edie and her brother are leaving soon on a journey to the Himalayas to document and collect plants for the new Kew Gardens when she befriends Miss Jones in London. She's never left England before and is delighted to learn the lady will be returning to the mountains she calls home at the same time they are planning their travels. When they meet again in Srinagar, Edie is surprised to find that, out here, the Miss Jones of the London salons is "just Jones" the explorer, clad in breeches and boots and unconcerned with the proprieties Edie has been brought up to respect. The non-binary explorer and the determined botanist make the long journey over the high mountain passes to Little Tibet, collecting flowers and exploring ruins on the way. Will Jones discover the root of the mysterious deaths of her parents? Will she confide in Edie and allow her to help in the quest? The trip is fraught with dangers for both of them, not least those of the heart.

"Sequel to Lost in Time Newspaper reporter Lew Tyler and his lover, Detective Alec Carter, are working out the parameters of their new relationship. Meanwhile, time traveler Lew is trying to decide whether he wants to stay in the 1920s or find a way to get back to 2016, and Alec doesn’t know if he can bear the vulnerability of being in love with someone who uses such dangerous magic. Fenn is a Hunter from the Outlands, come through the Border to search for the murderous Creature and its offspring at the behest of the Ternants, who maintain the balance between Fenn’s world and ours. Fenn strikes a bond with Sergeant Will Grant, Alec’s second in command, who is keen to learn more about his own magical abilities. As time goes on, Will grows keen to learn more about Fenn, as well. Fenn has their own painful secret, and when they appear to have betrayed the team and goes missing in London, Will is devastated. He has to choose between following his heart or following his duty. Moving through the contrasting rich and poor areas of post-First World War London from West End hotels to the London docklands, the men need to work together to capture the Creature ... and choose who – and what -- is important enough to hold on to and what they may need to give up to make that happen."

"Lew Rogers's life is pleasantly boring until his friend Mira messes with magic she doesn't understand. While searching for her, he's pulled back in time to 1919 by a catastrophic magical accident. As he tries to navigate a strange time and find his friend in the smoky music clubs of Soho, the last thing he needs is Detective Alec Carter suspecting him of murder. London in 1919 is cold, wet, and tired from four years of war. Alec is back in the Metropolitan Police after slogging out his army service on the Western Front. Falling for a suspect in a gruesome murder case is not on his agenda, however attractive he finds the other man. Both men are floundering and out of their depth, struggling to come to terms with feelings they didn't ask for and didn't expect. Both have secrets that could get them arrested or killed. In the middle of a murder investigation that involves wild magic, mysterious creatures, and illegal sexual desire, who is safe to trust?"

"It's 1918, and Matty returns home to the family farm from the trenches only to find his brother Arthur dying of an unknown illness. The local doctor thinks it might be cancer, but Matty becomes convinced it's connected to the mysterious books his brother has left strewn around the house. Matty confides his suspicions in his friend Rob, a hired hand on the farm and potential lover. Rob has found something that looks like a gate of some kind, something Arthur referenced in his papers which may rest at the heart of his illness. But a gate to where? This short story introduces the world and characters in A.L. Lester's novel, Lost in Time."